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Australian
and international
exploratory
performance and
media arts

Film:

Beneath Clouds: language as simple as a look

Mike Walsh

1 April 2002

Just whose Indigenous filmmaking?

Kirsten Krauth

1 April 2002

Zoom!: the boys are back in town

Mike Walsh

1 April 2002

Truth and the Rabbit-proof Fence

Jane Mills

1 April 2002

Making a Rabbit-proof Fence

Hunter Cordaiy

1 April 2002

2002 WA Screen Awards: final cut

Mary O'Donovan

1 April 2002

Life's more than drag

Kirsten Krauth

1 April 2002

Small screen desire

Wendy Haslem

1 April 2002

Seen

mez

1 April 2002

Soon

Kirsten Krauth

1 April 2002

Barret Hodson: The fall of Australian film culture

Jeremy Eccles

1 April 2002

Melissa Kyu-Jung Lee: ending with questions

Juanita Kwok

1 February 2002

Charlotte Gray – neither here nor there

Jane Mills

1 February 2002

SPAA Fringe: independence contested

Clare Stewart

1 February 2002

A Golden Eye on Tropfest

Tina Kaufman

1 February 2002

New life: the hybridised documentary

Erik Roberts

1 February 2002

TV: critically addicted

Hal Judge

1 February 2002

Pacific Wave: island lives

Kirsten Krauth

1 February 2002

OnScreen editorial

Kirsten Krauth

1 February 2002

filmSHORTS

Kirsten Krauth

1 February 2002

Intimacy: performing rites of love

Kirsten Krauth

1 February 2002

The Flickerfest mission goes online

Veronica Gleeson

1 February 2002

WriteStuff: the 3 texts of Lantana

Hunter Cordaiy

1 February 2002

Australian filmmakers offer asylum

Mike Walsh

1 December 2001

Thinking about cinema: the Jewish mother

Clare Stewart

1 December 2001

Andrew Plain: an eye on the sound

Jane Mills

1 December 2001

Close to the heart

Virginia Baxter

1 December 2001

OnScreen editorial

Kirsten Krauth

1 December 2001

Flickerfest: high quality, short anxieties

Kirsten Krauth

1 December 2001

noise: youth art, making links

Kirsten Krauth

1 December 2001

The struggle for cineliteracy

Jane Mills

1 October 2001

Caught in the arthouse outhouse

Mike Walsh

1 October 2001

Of subjects and endings

Catherine Gough-Brady

1 October 2001

Animation: testing technique

Daniel Crooks

1 October 2001

Culturally complex fictions

Needeya Islam

1 October 2001

$92.7m: the morning after

Tina Kaufman

1 October 2001

Melbourne Film Festival: doing Asia proud

Mike Walsh

1 October 2001

Digital grit: SAPFF translations

Kirsten Krauth

1 October 2001

WriteStuff: Chopper

Hunter Cordaiy

1 October 2001

OnScreen news

RealTime

1 October 2001

Film reviews

RealTime

1 October 2001

Prizes & Projections 2001 Introduction

RealTime

1 October 2001

A (filmic) space between black & white

Jane Mills

1 August 2001

FedFest: short film reconciliations

Alex Hutchinson

1 August 2001

Kumarangk 5214: this island is full of bodies

Teri Hoskin

1 August 2001

OnScreen editorial: boundaries without fences

Kirsten Krauth

1 August 2001

Sydney Film Festival: one for the gleaners

Kirsten Krauth

1 August 2001

Sydney Film Festival: a handful of high/lowlights

Simon Enticknap

1 August 2001

Cinesonic 4: bringing sound to the surface

Bruce Mowson

1 August 2001

OnScreen news – filmSHORTS

RealTime

1 August 2001

Editorial – RT44

Keith Gallasch

1 August 2001

Cinesonic

Philip Brophy

1 June 2001

WriteStuff: Head On's narrative strategy

Hunter Cordaiy

1 June 2001

Young filmmakers' erections and reflections

Mireille Juchau

1 June 2001

Hybrid lives: 21st century snapshots

Tina Kaufman

1 June 2001

Clara Law: an impression of permanence

Elise McCredie

1 June 2001

Hot, chilled out bro, and proudly Chinese

Mike Walsh

1 June 2001

OnScreen editorial: the film festival as cultural communique

Kirsten Krauth

1 June 2001

The Monkey's Mask: lost in translation

Kirsten Krauth

1 June 2001

Wild Blue: a meditation on violence

Mary O'Donovan

1 June 2001

OnScreen news

RealTime

1 June 2001

Yolgnu Boy

Catriona McKenzie

1 April 2001

The double edge of desire

Simon Enticknap

1 April 2001

Zoom brand SA shorts

Mike Leggett

1 April 2001

Life beyond Documart

Mary O'Donovan

1 April 2001

Korea: split screen

Catherine Gough-Brady

1 April 2001

Cinesonic: use no hooks – freighting Tom Hanks

Philip Brophy

1 April 2001

ScreenSound out of the vaults

Magella Blinksell

1 April 2001

Isaac Julien's carnival at the MCA

Jane Mills

1 April 2001

Where is my love scene with Maggie Cheung?

Juanita Kwok

1 April 2001

Small screen youth revolution

Kirsten Krauth

1 April 2001

Film review

Kirsten Krauth

1 April 2001

filmSHORTS

inhouse

1 April 2001

Enter the dragon: Asian film in Australian cinemas

Juanita Kwok

1 February 2001

A town like Cunnamulla

Kirsten Krauth

1 February 2001

The genuine Coen product?

Simon Enticknap

1 February 2001

Documentary conference on the edge

Kirsten Krauth

1 February 2001

filmSHORTS

RealTime

1 February 2001

Cinesonic: true teen sound in Bring It On

Philip Brophy

1 February 2001

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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