Australian
and international
exploratory
performance and
media arts

Festivals:

Liveworks 2018: It’s Alive! It’s Alive!

Virginia Baxter

10 September 2018

OzAsia 2018: mutualism & displacement; interview, Joseph Mitchell

Keith Gallasch

8 September 2018

Back to Back, In Between Time & RealTime

Osunwunmi

8 September 2018

Performance in a progression-regression helix, Adelaide 2011-17

Ben Brooker

Writing the art experience: Itching shaking crying being held – Part I: Of silence and silencing

Zsuzsanna Soboslay

OzAsia Festival 2018: Beyond borders

Ben Brooker

Interchange Festival: The Start and the End of the Body

Nikki Heywood

6 December 2017

Interchange Festival: The Political Body

Cleo Mees

6 December 2017

Report: Hobiennale Arts Festival

Lucy Hawthorne

29 November 2017

Hobiennale Arts Festival 2017

28 November 2017

Unsound Adelaide: Local-global soundings

Chris Reid

28 November 2017

Wired Open Day Festival’s agri-cultural magic

Neill Overton

21 November 2017

Putting Liveworks to the test

Keith Gallasch

8 November 2017

Liveworks: Can art make oxytocin?

Teik-Kim Pok

1 November 2017

Liveworks: LabAnino’s simultaneous Filipino realities

Teik-Kim Pok

1 November 2017

Liveworks: Tetsuya Umeda, Eisa Jocson: Process & experiment

Keith Gallasch

1 November 2017

Liveworks: Mark Harvey: Risky chat

Teik-Kim Pok

1 November 2017

Experimenta: Make Sense: Disorientation & distance

Elyssia Bugg

1 November 2017

Proximity Festival 2017: One-on-one adventures

Nerida Dickinson

25 October 2017

Liveworks’ ghosts of performance past

Keith Gallasch

25 October 2017

BIFEM 2017: Resolute adventurers

Matthew Lorenzon

24 October 2017

Totally Huge Festival: A time for new music

Keith Gallasch

18 October 2017

Soft Centre: a niche utopia

Gail Priest

18 October 2017

Open to the land: 2017 Wired Open Day Festival

Keith Gallasch

18 October 2017

OzAsia Festival: The cultural deep-end

Ben Brooker

17 October 2017

OzAsia Festival: Worlds reconfigured

Ben Brooker

11 October 2017

OzAsia: Macau revivified

Chris Reid

10 October 2017

Liveworks 2017: Beautiful Disturbance; interview, Jeff Khan

Keith Gallasch

10 October 2017

OzAsia: Other, but kindred worlds

Chris Reid

10 October 2017

OzAsia Festival: SA the Collective – Music in & beyond the diaspora

Chris Reid

27 September 2017

Junction Arts Festival: Illuminating a town with art

Lauren Carroll Harris

26 September 2017

Soft Centre: Festive hardcore

Keith Gallasch

20 September 2017

OzAsia: Tangling with utopia

Chris Reid

19 September 2017

Visualising sound, making Home

Chris Reid

13 September 2017

Told through body and land: God’s Own Country

Joanna Di Mattia

6 September 2017

Edinburgh International Festival: Art’s hard work

Mish Grigor

6 September 2017

OzAsia Festival: History, epic & intimate

Chris Reid

6 September 2017

OzAsia, Doris Wong Wai Yin: Art, identity & fear

Chris Reid

OzAsia & Hong Kong: Identity & connection

Chris Reid

More OzAsia: from Australia

Keith Gallasch

Joseph Mitchell, interview, OzAsia: Epically Personal

Keith Gallasch

From archive into the future

Lauren Carroll Harris

Sydney Film Festival’s engaging outliers

Katerina Sakkas

Revelation Film Festival: the joy of bafflement

Lauren Carroll Harris

Stranger With My Face’s dark pleasures

Katerina Sakkas

Stranger With My Face: Discovering Gaylene Preston

Lauren Carroll Harris

Ambulante film festival, Mexico City: Travelling doco fest vs corruption

Ann Deslandes

American essentials: small is good

Luke Goodsell

Post-industrial town’s art conversion

Lauren Carroll Harris

Flow maps & heightened states

Andrew Fuhrmann

Technique, plus and minus

Ben Brooker

Life at the limits

Ben Brooker

Three kinds of grieving

Jonathan Marshall

Our world, now different?

Jana Perkovic

The power of collaboration

Madeline Roycroft

Phases and faces

Timothy X Atack

Ghosts and bones and angels

Osunwunmi

Of sport and gods

John Bailey

Disaster meditations from Japan

Spatial effects, narrative distractions

Alex Lazaridis Ferguson

Bold, not just older

Adam Broinowski

22 February 2017

Presence and strength

Ben Brooker

15 February 2017

A work of art

Keith Gallasch

15 February 2017

Performing Asia in & with Australia

Keith Gallasch

8 February 2017

Art at labour's limits

Nikki Heywood

8 February 2017

Art takes on despair

Vicki Van Hout

8 February 2017

Cultures, words, lives, limits

Keith Gallasch

8 February 2017

Aromatics of thought

Keith Gallasch

1 February 2017

Supercell Dance Festival: Brisbane dances

Keith Gallasch

1 February 2017

Senses and causes

Nikki Heywood

1 February 2017

ARTLANDS Conference and Festival: re-imagining ‘regional’

Liz Bradshaw

14 December 2016

PIAF 2017: A very special place

Keith Gallasch

14 December 2016

Sydney Festival: A great sense of occasion

Keith Gallasch

7 December 2016

Sydney Festival: A great sense of occasion

Keith Gallasch

7 December 2016

2017 Sydney Festival: A Personal Guide

Keith Gallasch

7 December 2016

Liveworks: A bigger picture

Keith Gallasch & Virginia Baxter

16 November 2016

Festival for a town that doesn’t conform

Lucy Hawthorne

9 November 2016

The Record, OzAsia Festival: A living document of diversity

Ben Brooker

21 October 2016

Sublimity in rural Texas

Lauren Carroll Harris

19 October 2016

The artist, cultural transmitter & trickster

Keith Gallasch

19 October 2016

A festival grounded in transitional space

Jana Perkovic

19 October 2016

OzAsia Festival visual arts: A common spirituality

Chris Reid

13 October 2016

Festival rises above the storm

Keith Gallasch

12 October 2016

Life distilled into moments

Chris Reid

12 October 2016

Queerings of form and perception

Ben Brooker

12 October 2016

A living document of diversity

Ben Brooker

12 October 2016

Ever blossoming art out of Asia

Keith Gallasch

12 October 2016

A common spirituality

Chris Reid

28 September 2016

How animal are humans?

Ben Brooker

14 September 2016

OzAsia Festival: Exorcising America

Ben Brooker

2016 Darwin Festival: Tradition sustains innovation

Nicola Fearn

2016 Darwin Festival: the power of art in the making

Kaye Hall

Liveworks 2016: a storm of creativity

Keith Gallasch

Cultural diversity’s new dramaturgy

Ben Brooker

OzAsia 2016: a necessary festival

Playwriting: celebrating the art against the odds

Ben Brooker

Next Wave, a festival of creative attentiveness

Simon Eales

Next Wave Festival 2016: the thrill of emergence

Jane Howard

Nightmares & dreamscapes

Katerina Sakkas

Playing the live art game

Madeleine Hodge

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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