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Australian
and international
exploratory
performance and
media arts

Issue 46:

Dec-Jan 2001

noise: youth art, making links

Kirsten Krauth

1 December 2001

The dancer captured & revealed

Peta Tait

1 December 2001

Forsythe & Warren: word moves

Philipa Rothfield

1 December 2001

Close to the heart

Virginia Baxter

1 December 2001

British theatre: bruising and beloved

Chris Mead

1 December 2001

Architecture does sound

Douglas Kahn

1 December 2001

Girls just wanna…?

Eleanor Brickhill

1 December 2001

Innercity and proud

Clare Grant & Keith Gallasch

1 December 2001

Art & the world: a question

Sarah Miller

1 December 2001

Dancing fast, going ballistic

Helena Grehan

1 December 2001
OnScreen editorial

OnScreen editorial

Kirsten Krauth

1 December 2001

Multimedia Jewish Shanghai

Keith Gallasch

1 December 2001
Promiscuous diversity

Promiscuous diversity

Keith Gallasch

1 December 2001
Flickerfest: high quality, short anxieties

Flickerfest: high quality, short anxieties

Kirsten Krauth

1 December 2001

Gender play-off

Jonathan Marshall

1 December 2001

The ANAT agenda

RealTime

1 December 2001

Talking up ghosts

Stephen Jones

1 December 2001

Right attitude, right latitude

Erin Brannigan

1 December 2001

The art of uneasy steps

Jonathan Marshall

1 December 2001

The art of ageing, the limits of vision

Keith Gallasch

1 December 2001
Editorial: 2001, Wasted

Editorial: 2001, Wasted

Keith Gallasch

1 December 2001

Dream complex

Keith Gallasch

1 December 2001
Bitter sweet Turkish delights

Bitter sweet Turkish delights

Keith Gallasch

1 December 2001
Other times, other countries

Other times, other countries

Philipa Rothfield

1 December 2001

Photo Technica Award: eye-robics

Virginia Baxter

1 December 2001

George Khut: new work, in passing

Virginia Baxter

1 December 2001

I have to live, at least until the plague gets me

Lissa Mitchell

1 December 2001

Hot enough for ya?

Suzanne Spunner

1 December 2001

Meaty puppetry

Sue Moss

1 December 2001

History loosed from its moorings

Kay Schaffer

1 December 2001

Tammy Anderson: a way to tell secrets

Di Klaosen

1 December 2001

Australian filmmakers offer asylum

Mike Walsh

1 December 2001

Thinking about cinema: the Jewish mother

Clare Stewart

1 December 2001

Andrew Plain: an eye on the sound

Jane Mills

1 December 2001

Wilful waste

Daniel Palmer

1 December 2001
Newcastle on the electrofringe

Newcastle on the electrofringe

Felena Alach

1 December 2001

Lateral activism

Joni Taylor

1 December 2001

Not so innocent gameplay

Dean Kiley

1 December 2001
New voices, other aesthetics

New voices, other aesthetics

Douglas Leonard

1 December 2001
WriteSites: Papertiger, a new world of poetry

WriteSites: Papertiger, a new world of poetry

Jo Gray

1 December 2001

Artists vs cultural planners

Gavin Findlay

1 December 2001

Wake up, Australia!

Rachel Fensham

1 December 2001

Yokohama Trienniale: art as screen

Chris Reid

1 December 2001

Warrnambool: art defying logic

Estelle Barrett

1 December 2001
New game, new languages

New game, new languages

Christine Nicholls

1 December 2001
To Watch: an intransitive verb

To Watch: an intransitive verb

Esther Milne

1 December 2001

Art, home delivered!

Bec Dean

1 December 2001

Lindsay Vickery: running up an opera noir

Andrew Beck

1 December 2001

Sit Ubu sit. Good dog.

Mitchell Whitelaw

1 December 2001
Seeing is not believing

Seeing is not believing

Gretchen Miller

1 December 2001

Celebrating old growth and new

Keith Gallasch

1 December 2001

The grand push and pull of dark matter

Keith Gallasch

1 December 2001
Analysing the Firm

Analysing the Firm

Russell Smith

1 December 2001

Ros Warby: reframing the dancing body

Erin Brannigan

1 December 2001

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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