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Australian
and international
exploratory
performance and
media arts

Film:

The making of a Tasmanian film industry

Simon Sellars

1 June 2004

Letter

Sean Cubitt

1 June 2004

Documentary: pro- and inter-active

Tim O Farrell

1 June 2004

The documentary: art and survival

Tom Zubrycki

1 April 2004

The good, the bad and the alternatives

Carmela Baranowska

1 April 2004

Scott Millwood: documentary poet

Dan Edwards

1 April 2004

Our very own crime wave

Rose Capp

1 April 2004

Growing queer screen culture

Olivia Khoo

1 April 2004

German film now

Leonie Naughton

1 April 2004

Documentaries writ large

RealTime

1 April 2004

The sacrificial Asian in Australian film

Olivia Khoo

1 February 2004

The Finished People: a digital, political vision

Dan Edwards

1 February 2004

Asian Film: mirror images

Mike Leggett

1 February 2004

A passage to Indian cinema

Mike Walsh

1 February 2004

Northern exposures

Dixi Joy Bankier

1 February 2004

Flickerfest: looking for signs

Dan Edwards

1 February 2004

ABC TV: Something's missing

Christine Harris-Smyth

1 February 2004

Women: the big picture

Nathalie Brillon

1 February 2004

Documentary: on the map, under pressure

Simon Enticknap

1 February 2004

Canada/Australia: comparing challenges

Nathalie Brillon

1 February 2004

A wider perspective

RealTime

1 February 2004

A tough fairness

Simon Ellis

1 December 2003

Looking for a sense of place

Dan Edwards

1 December 2003

Year of the piss take

Mike Walsh

1 December 2003

Stillness and motion, light and shade

Simon Enticknap

1 December 2003

Where's the competition?

Keith Gallasch

1 December 2003

Doing it the Melbourne Way

Simon Sellars

1 December 2003

Seeking the silenced voice

Alexis Wright

1 December 2003

Watching and listening: didjeridu documentary

Keith Gallasch

1 December 2003

The film art of going to pieces

Dan Edwards

1 December 2003

Fridge magnets for media emergencies

Katherine Neil

1 December 2003

WA screen culture: the good news

Richard Sowada

1 December 2003

Recording ecstasy

Zsuzsanna Soboslay

1 December 2003

The short feature: stepping stone or dead end?

Dan Edwards

1 October 2003

The documentary unleashed

Simon Enticknap

1 October 2003

Queensland: the producer emerges

Danni Zuvela

1 October 2003

The South Korea Comparison

Mike Walsh

1 October 2003

The winning team

Mick Broderick

1 October 2003

Krumpet wins!

Simon Sellars

1 October 2003

Revolution for the money

Jake Wilson

1 October 2003

German film now

Leonie Naughton

1 October 2003

Jodi Smith

RealTime

1 October 2003

The documentary unleashed

Simon Enticknap

1 October 2003

As Australian as…?

Geoffrey Atherden

1 August 2003

New Blak Films: new voices

Dan Edwards

1 August 2003

Mirrors on Aboriginality

Eric Roberts

1 August 2003

Avant-garde: the necessary context

Mike Walsh

1 August 2003

Censorship: the lessons of Ken Park

Noel Purdon

1 August 2003

Remembering the suburban dream

Dan Edwards

1 August 2003

SPARK: firing on all cylinders

Brendan Phelan

1 August 2003

Alexandra and the De Heer Project

Rose Capp

1 August 2003

Kiarostami: a visionary at the axis of action

Mike Walsh

1 June 2003

Seeing the light

Blake Ayshford

1 June 2003

Painleve's scientific surrealism

John Potts

1 June 2003

Tele-scoping: Small Screen Big Picture

Mick Broderick

1 June 2003

Queensland: award dilemmas

Danni Zuvela

1 June 2003

An ark floating over the surface of history

Dan Edwards

1 June 2003

Onscreen Editorial

Keith Gallasch

1 June 2003

An independent trajectory

Hunter Cordaiy

1 June 2003

Visions, illusions and delusions part II

Peter Sainsbury

1 April 2003

James Middleton: island filmmaker

Susanne Kennedy

1 April 2003

ZOOM!: back from the future

Mike Leggett

1 April 2003

WA Screen Awards: keeping the pulse strong

Mick Broderick

1 April 2003

Taking the gritty backlash to the USA

Keely Macarow

1 April 2003

Letters to the Editors

Sabina Wynn & Mick Broderick

1 April 2003

Screen culture: be alert, be alarmed

Mick Broderick

1 February 2003

The personality problems of documentarians

Catherine Gough-Brady

1 February 2003

Beckett-land: spirit and letter, stage and screen

Keith Gallasch

1 February 2003

Visions, illusions and delusions

Peter Anderson

1 February 2003

It must be the weather

Virginia Baxter

1 February 2003

Pixilated reality

Joni Taylor

1 December 2002

A filmmaker's Brisbane: independence or not?

Danni Zuvela

1 December 2002

Projections from the mind's eye

Keith Gallasch

1 December 2002

Community television: alive and kicking

Tina Kaufman

1 December 2002

Out of the dark

RealTime

1 December 2002

ACMI: Digital comfort

RealTime

1 December 2002

Sometimes it goes like this…

Hunter Cordaiy

1 October 2002

The view from the child

Keith Gallasch

1 October 2002

All the right steps

Simon Enticknap

1 October 2002

Well-crafted male angst

Cassi Plate

1 October 2002

Under a cloud

Mike Walsh

1 October 2002

4 young filmmakers

Ghita Loebenstein

1 October 2002

Shoot! Experimentation in retrospect

Dirk de Bruyn

1 October 2002

Cinema diplomacy

David Varga

1 October 2002

Middle-Eastern film: Sleepers awake!

Danni Zuvela

1 October 2002

Letter

Natasha Gadd

1 October 2002

An Australian blindspot?

Solrun Hoaas

1 August 2002

The ferocious eye of Kim Ki-duk

Mike Walsh

1 August 2002

Godard: adult concepts?

Fergus Daly & Adrian Martin

1 August 2002

Disappearing the camera

Hunter Cordaiy

1 August 2002

SEEN: Film

Jane Mills & Keith Gallasch & David Varga

1 August 2002

SOON: Film

RealTime

1 August 2002

"The liberated showroom"*

Cassi Plate

1 June 2002

HKIFF: Fantasy, pain and profit

Mike Walsh

1 June 2002

Independent pleasures

Felena Alach

1 June 2002

Not really REAL

Simon Ellis

1 June 2002

AFI Distribution closes – where do the films go?

Tina Kaufman

1 June 2002

Panic Room & The Others: Home sinister home

Wendy Haslem

1 June 2002

SEEN

Liz Bradshaw & Simon Enticknap & Keith Gallasch & Barbara Karpinski

1 June 2002

SOON: Film

RealTime

1 June 2002

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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