Australian
and international
exploratory
performance and
media arts

Issue 68:

Aug-Sept 2005

The challenges of emergence

Bryoni Trezise

1 August 2005

Lost Worlds

Gail Priest

1 August 2005

Death danced around and through

John Bailey

1 August 2005

Nerve 9 goes national

Nerve 9 goes national

RealTime

1 August 2005

Strange beasts

Keith Gallasch

1 August 2005

The liberated work place

Jonathan Marshall

1 August 2005

Evolving the artist

Richard Murphet

1 August 2005

Forced Entertainment: what a concept

Chris Kohn

1 August 2005

Duplicity, complicity, hybridity

Keith Gallasch

1 August 2005

The full Bunyip

Mary Ann Hunter

1 August 2005

Pain: metaphors and melodrama

Josephine Wilson

1 August 2005

Enlightened by nightmares

John Bailey

1 August 2005

Tackling the unseen

Dan Edwards

1 August 2005

The art of life support

Jonathan Marshall

1 August 2005

Noise that matters in Bendigo

Tara Gilbee

1 August 2005

Liquid Architecture 6: celebrating sound

Gail Priest

1 August 2005

The composer-filmmaker

Joel Stern

1 August 2005

Sonic cornucopia

Keith Gallasch

1 August 2005

Life as a cabaret

Helen Rusak

1 August 2005

Wood and other media

Daniel Palmer

1 August 2005

CCP renewed

Chris Reid

1 August 2005

Viola visions

RealTime

1 August 2005

Editorial – RT68

RealTime

1 August 2005

Pop- baroque

Hamish Ford

1 August 2005

Making music- art, research or both?

Helen Lancaster

1 August 2005

Terrible twins: art & the academy

Yuji Sone

1 August 2005

Beyond silence

Erin Brannigan

1 August 2005

The brain shifts gear

Jane Woollard

1 August 2005

Sound practice, sound thesis

Julian Knowles

1 August 2005

The MA novel in the world

Michelle Moo

1 August 2005

The rise of the workshop class

Karen Pearlman

1 August 2005

Factual fantasy

Keith Gallasch

1 August 2005

Cinema for thinkers

Cinema for thinkers

Steve Thomas

1 August 2005

Mirror, mirror

Virginia Baxter

1 August 2005

The DCA: Sensorial and intellectual

Jo-Anne Duggan

1 August 2005

Improvising in Arafura

Sandy Cameron

1 August 2005

REVelation's other worlds

Pip Christmass

1 August 2005

Power without punchlines

Simon Sellars

1 August 2005

The OnScreen Course Guide: Filmmaking & Screen Studies

The OnScreen Course Guide: Filmmaking & Screen Studies

RealTime

1 August 2005

The creative degree as interface

Christy Dena

1 August 2005

Films making culture

Michelle Moo

1 August 2005

Hybrid reading

Greg Hooper

1 August 2005

From sideshow to sublime

Keith Gallasch

1 August 2005

Art from the heart

Danni Zuvela

1 August 2005

Bio-art's hybrid lives

Kristy Darlaston

1 August 2005

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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