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Australian
and international
exploratory
performance and
media arts

Issue 67:

June-July 2005

Kunst bargains

Adam Jasper

1 June 2005

Malthouse: vision and delirium

John Bailey

1 June 2005

Wrestling the black dog

Mary Ann Hunter

1 June 2005
A life between yes and no

A life between yes and no

Mary Ann Hunter

1 June 2005

The power of invention

Keith Gallasch

1 June 2005

Of islands and exile

Sue Moss

1 June 2005

SMS Circus

Leah Mercer

1 June 2005

NRLA: Bodies making art and clouds

Rosie Dennis

1 June 2005
Time_Place_Space 4: enjoying Asia

Time_Place_Space 4: enjoying Asia

Keith Gallasch

1 June 2005

The insights of a theatre of excess

Jonathan Marshall

1 June 2005
A life between book and play

A life between book and play

Tony Reck

1 June 2005

Watch this space: desert blooming

Mardijah Simpson

1 June 2005
Refugees: between reality and performance

Refugees: between reality and performance

Kirsten Krauth

1 June 2005

Not quite still lives

Keith Gallasch

1 June 2005

Leah King- Smith: strategies of ambiguity

Rachel O'Reilly

1 June 2005

There and back

Kate McMillan

1 June 2005

In the flesh

Virginia Baxter

1 June 2005
Obituary: Joan Brassil 1919- 2005

Obituary: Joan Brassil 1919- 2005

Joan Grounds

1 June 2005

Performative drawing

Roy Ananda

1 June 2005

Selling new sounds

Gail Priest

1 June 2005
Image, music, ambiguity

Image, music, ambiguity

Rachel Campbell

1 June 2005

Editorial – RT67

RealTime

1 June 2005
Letter to the Editors

Letter to the Editors

Daniel Schlusser

1 June 2005

Between worlds

RealTime

1 June 2005

Contentious content, curtailed form

Dan Edwards

1 June 2005

Music as art, community, politics

Keith Gallasch

1 June 2005
Compute & compose

Compute & compose

RealTime

1 June 2005

Indigenous art: collaboration and innovation

Keith Gallasch

1 June 2005

Black heat

Keith Gallasch

1 June 2005

Cultural exchange: expanded vision

Keith Gallasch

1 June 2005

Composing potentials

Gail Priest

1 June 2005

The artist/curator/artistic director

Keith Gallasch

1 June 2005

Bodies as signals, nodes, networks

John Bailey

1 June 2005

The acrobatic reader

Philipa Rothfield

1 June 2005
Creative cross-cultural distortions

Creative cross-cultural distortions

Sue Moss

1 June 2005
Choreographic beginnings

Choreographic beginnings

Jonathan Marshall

1 June 2005

A certain aesthetic, a certain strength

Jacqueline Millner

1 June 2005

OnScreen Editorial: lessons from the Indigenous sector

Dan Edwards

1 June 2005

CAAMA: from the heart

Lisa Stefanoff

1 June 2005

A new China syndrome?

Mike Walsh

1 June 2005

Three Dollars: book, film, commodity

Jake Wilson

1 June 2005

A small triumph

Sandy George

1 June 2005

The challenges of diversity

Dan Edwards

1 June 2005

The art of 5-minute statements

Sarah-Jane Norman

1 June 2005

Art and the innovated human

Lizzie Muller

1 June 2005

Building an Australian networked future

Melinda Rackham

1 June 2005

The ecology of interaction

Greg Hooper

1 June 2005

Moving image innovators

Danni Zuvela

1 June 2005

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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