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Australian
and international
exploratory
performance and
media arts

Issue 51:

Oct-Nov 2002

With ears pinned back…

With ears pinned back…

Gail Priest

1 October 2002

Melbourne Festival: local heroes

Keith Gallasch

1 October 2002

Suburban dream machines

RealTime

1 October 2002
La Mama: psycho-physical

La Mama: psycho-physical

Jonathan Marshall

1 October 2002

Was this what you wanted?

Keri Glastonbury & Christen Cornell

1 October 2002

Closed circuit

Keith Gallasch

1 October 2002
Dare to dive

Dare to dive

Sue Moss

1 October 2002
The Night Air: value-added radio

The Night Air: value-added radio

Kevin Murray

1 October 2002
Political tangos

Political tangos

Greg Hooper

1 October 2002
Sources & events

Sources & events

RealTime

1 October 2002
Go, Girl! Bebe Miller talking choreography

Go, Girl! Bebe Miller talking choreography

Rachel Fensham

1 October 2002
Between art and dance

Between art and dance

Philipa Rothfield

1 October 2002
Improvisation & the thickening of time

Improvisation & the thickening of time

Zsuzsanna Soboslay

1 October 2002
Nighshift: Did I dream this…?

Nighshift: Did I dream this…?

Keith Gallasch

1 October 2002

Artrageous: Marcus Canning

Josephine Wilson

1 October 2002
Abandon Sight Ye Who Enter Here

Abandon Sight Ye Who Enter Here

Keith Armstrong

1 October 2002
Big in Japan: where does the swing take you?

Big in Japan: where does the swing take you?

Gail Priest

1 October 2002
Performative re-assemblings

Performative re-assemblings

Virginia Baxter

1 October 2002

Akram Khan’s Kaash: the release of energy

Keith Gallasch

1 October 2002
“I ain’t goin’ bionic!”

“I ain’t goin’ bionic!”

Jonathan Marshall

1 October 2002
Phillip Adams: seriously playful

Phillip Adams: seriously playful

Jonathan Marshall

1 October 2002

Unreal

Leanne Amodeo

1 October 2002
A slippery view

A slippery view

Katrina Simmons

1 October 2002
What did you say?

What did you say?

Jonathan Marshall

1 October 2002
Capsis takes Vienna

Capsis takes Vienna

Alex Galeazzi & Panos Couros

1 October 2002
Letter

Letter

Natasha Gadd

1 October 2002

Looping forward: the analogue/digital dialogue

Gail Priest

1 October 2002

A quiet consensus

Ann Morrison

1 October 2002

My brain hurts

Ian Haig

1 October 2002

Part 1: Digital strategies

Christine Nicholls

1 October 2002

Right place, right time?

Jean Poole

1 October 2002

Making art, opinion, money

Keith Gallasch

1 October 2002

Strategies for Tactical Media

McKenzie Wark

1 October 2002

BEAP: interactions, intersections

Melinda Rackham

1 October 2002

BEAP: art in the lab?

Stephen Jones

1 October 2002

Prototype's interactive pleasure machines

Lisa Gye

1 October 2002

New media, Newcastle Electrofringe

Keith Gallasch

1 October 2002

…machine dreaming?

Chris Reid & Jena Woodburn

1 October 2002

Part 1: Smoothing the visceral/virtual mix

Keith Gallasch & Virginia Baxter

1 October 2002

Blast Theory in Australia

RealTime

1 October 2002

RT51 Editorial: Having a say in the future

RealTime

1 October 2002

The return of time

James Robertson

1 October 2002

Sometimes it goes like this…

Hunter Cordaiy

1 October 2002

The view from the child

Keith Gallasch

1 October 2002

All the right steps

Simon Enticknap

1 October 2002
Well-crafted male angst

Well-crafted male angst

Cassi Plate

1 October 2002

Under a cloud

Mike Walsh

1 October 2002
4 young filmmakers

4 young filmmakers

Ghita Loebenstein

1 October 2002

Shoot! Experimentation in retrospect

Dirk de Bruyn

1 October 2002

Cinema diplomacy

David Varga

1 October 2002

Middle-Eastern film: Sleepers awake!

Danni Zuvela

1 October 2002

Flesh Winnow

Catriona McKenzie

1 October 2002

Liquid, light, hair

Keri Glastonbury

1 October 2002

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

RealTime, Open City Inc
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Telephone 61 2 9332 4549 Mob 0410 664549

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