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Australian
and international
exploratory
performance and
media arts

Issue 49:

June-July 2002

New home, new media, new moves

Erin Brannigan

1 June 2002

Place and aura

Liz Bradshaw

1 June 2002

Hobart's L-shaped room

Diana Klaosen

1 June 2002

In the archive of everything

Virginia Baxter

1 June 2002

SEEN: Visual Arts

Daniel Palmer & Diana Klaosen & Anne Ooms & Jena Woodburn & Bec Dean

1 June 2002

From ice cream wars to retro-futurism

Edward Scheer

1 June 2002

Time and the theatre fix

Keith Gallasch

1 June 2002

On the cross-cultural beach

Margaret Bradley

1 June 2002

Identifying with the refugee

Kerrie Schaefer

1 June 2002

All in the execution

Jonathan Marshall

1 June 2002

Chartering the landscape of time and space

John Potts

1 June 2002

That business with the cat

Laura Ginters

1 June 2002

Unexpected musics

Andrew Beck & Bryce Moore

1 June 2002
New frequencies

New frequencies

Caleb K

1 June 2002
Avant-garde plus and minus

Avant-garde plus and minus

Greg Hooper

1 June 2002

Like a thump on the head

Michael Douglas

1 June 2002

Life-sized dance

Kerrie Schaefer

1 June 2002
Dancing Metaphysics

Dancing Metaphysics

Philipa Rothfield

1 June 2002
Finding place with dance

Finding place with dance

Indija Mahjoeddin

1 June 2002

Smart’s the word, quick’s the action

Virginia Baxter

1 June 2002
RT49 Editorial

RT49 Editorial

Keith Gallasch

1 June 2002

High beam: Beyond the performance/therapy axis

1 June 2002

On the other side of dancing

Erin Brannigan

1 June 2002
New bodies in the house

New bodies in the house

Gail Priest

1 June 2002
Topology: musical systems

Topology: musical systems

Greg Hooper

1 June 2002
Oven-Garde: Lap-toppers can dance

Oven-Garde: Lap-toppers can dance

1 June 2002
Room to move: David Toop

Room to move: David Toop

Greg Hooper

1 June 2002
fabrique: after the revolution

fabrique: after the revolution

Richard Wilding

1 June 2002

Roving concert: sensory exploits

Greg Hooper

1 June 2002
(R)everse (E)ngineering (V)irtual Fabrications

(R)everse (E)ngineering (V)irtual Fabrications

Keith Armstrong

1 June 2002

Featured Artist: Christopher Brown

Keith Gallasch & Ghita Loebenstein

1 June 2002

Spiritual projections

Keith Gallasch

1 June 2002
Existential hitch-hiking

Existential hitch-hiking

Jaye Early

1 June 2002

Inside the beast

Leanne Hall

1 June 2002

Untamed and trapped

Vanessa Rowell

1 June 2002
Dialects of music & image

Dialects of music & image

Keith Gallasch

1 June 2002
Off-screen primetime

Off-screen primetime

Ghita Loebenstein

1 June 2002

Love bout

Ghita Loebenstein

1 June 2002

The comic goods

Katy Stevens

1 June 2002
Potential versus perfection

Potential versus perfection

Keith Gallasch

1 June 2002

Haunting messages

Eve Stafford

1 June 2002

Making instruments, ears, audiences

Gail Priest

1 June 2002

The artist and the refugee: tooling up for action

Bec Dean

1 June 2002
Size matters: the Small to Medium sector issues

Size matters: the Small to Medium sector issues

Virginia Baxter & Keith Gallasch

1 June 2002

Festival city's tour of shame

Pamela Zeplin

1 June 2002
Viet Boys: whose crisis?

Viet Boys: whose crisis?

Clara Tran

1 June 2002

Obituary: Neil Roberts

Deborah Clark

1 June 2002
Remembrance: Colin Hood

Remembrance: Colin Hood

McKenzie Wark

1 June 2002

"The liberated showroom"*

Cassi Plate

1 June 2002

HKIFF: Fantasy, pain and profit

Mike Walsh

1 June 2002

Independent pleasures

Felena Alach

1 June 2002
Not really REAL

Not really REAL

Simon Ellis

1 June 2002
AFI Distribution closes – where do the films go?

AFI Distribution closes – where do the films go?

Tina Kaufman

1 June 2002

Panic Room & The Others: Home sinister home

Wendy Haslem

1 June 2002

SEEN

Liz Bradshaw & Simon Enticknap & Keith Gallasch & Barbara Karpinski

1 June 2002

Multiplying options

Mike Leggett

1 June 2002

The language of cinescripture

Darren Tofts

1 June 2002
SOON: media arts

SOON: media arts

RealTime

1 June 2002
SOON: Film

SOON: Film

RealTime

1 June 2002
Ozlit online: high impact, low interactivity

Ozlit online: high impact, low interactivity

Dean Kiley

1 June 2002

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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