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Australian
and international
exploratory
performance and
media arts

Melbourne Fringe: angles on unsexed perspectives

John Bailey: ménage; Hyperspirit; Between Two Lines

19 October 2016

Sublimity in rural Texas

Lauren Carroll Harris: interview, Tina Havelock Stevens, Thunderhead

19 October 2016

A festival grounded in transitional space

Jana Perkovic: Ruhrtriennale 2015-2017

19 October 2016

Speculative fictions & microbial collaborations

Sophea Lerner: Open Fields Art & Science Festival, Riga

19 October 2016

The Record, OzAsia Festival: A living document of diversity

Ben Brooker

The Record, an unlikely piece of programming, featuring 45 Adelaide citizens in a gentle dance, was one of the festival’s highlights, writes Ben Brooker, while Hong Kong’s City Contemporary Dance Company unevenly mixed convention and invention.

12 October 2016

Ever blossoming art out of Asia

Keith Gallasch: teamLab, Blossoming Life; Two Dogs

12 October 2016

Queerings of form and perception

Ben Brooker: Bunny; SoftMachine: Rianto; Split Flow and Holistic Strata

12 October 2016

Life distilled into moments

Chris Reid: teamLab; Roundabout

12 October 2016

BOOK: Unworldly Encounters

First Life Residency Project Unworldly Encounters “evidences four artists’ journeys of personal and artistic transformation that bridge cultures and generate a common spirituality.” Chris Reid (read his review of the exhibition) One of OzAsia’s most powerful exhibitions was Unworldy Encounters at AEAF, featuring works by four Australian and Chinese artists who travelled through southern China, […]

12 October 2016

Festival rises above the storm

Keith Gallasch: King of Ghosts; Phare Circus; God Bless Baseball; Beastly

12 October 2016

Andrée Greenwell’s Cinéaste: reflections & refractions

Keith Gallasch

Cinéaste Vol. 1 is a fascinating assemblage that allows composer Greenwell to lovingly reflect on the idiom of film scoring and to inventively refract her own compositions, yielding aural gems: riffs, ostinatos, hooks and soundscapes, the stuff of movies actual and imagined.

5 October 2021

Sky Blue Mythic: Angela Goh’s fantastical myth-making

Keith Gallasch

More essay than review, Keith Gallasch’s response to Angela Goh’s Sky Blue Mythic explores the relationship between experiencing a powerfully disconcerting work, reviewing it and engaging with the artist’s account of it.

26 July 2021

Narcifixion: Watching the narcissists

Keith Gallasch

Anton’s vigorously propulsive, grimly funny dance work, Narcifixion, about screen-bred narcissism provokes Keith Gallasch, watching a finely streamed performance, to appreciate the logic of its structure and respond to its account of a complex condition.

17 June 2021

Rakini Devi’s nightwork: the performer as visual artist

Keith Gallasch

The exhibition Inhabiting Erasures powerfully attests to a passion to arrest the wrongs done to women, conjures a magical otherworld of female strength and beauty and exquisitely reveals painting to be the foundation of Devi’s practice.

2 June 2021

The RealTime Archive: Contributors: Jodie McNeilly

For our archive we’re completing and updating our contributor entries. Dancer, research academic and writer Jodie McNeilly likes that writing “lets [her] turn towards the world with acute attention.” Read Jodie’s profile here.

12 March 2021

The RealTime Archive: Contributors: Erin Brannigan

For our archive we’re completing and updating our contributor entries. Writer and teacher Erin Brannigan’s passionate “motivation in writing about dance and choreography in its many forms is to help it persist into the future.”

12 March 2021

The RealTime Archive: Contributors: Cleo Mees

For our archive we’re completing and updating our contributor entries. Writer, teacher and video-maker Cleo Mees reflects on music and dance, Bodyweather and writing “that makes surprising associations and confessions…”

12 March 2021

Excellent everyday Kathak: Raghav Handa’s TWO

Keith Gallasch

With amusing conversation and exquisite partnering dancer Raghav Handa and tabla player Maharshi Raval reveal much about collaboration, Kathak dance and the testing of boundaries.

25 February 2021

Album review: Offspring Bites 3: En Masse

Keith Gallasch

From Ensemble Offspring potent works by Alex Pozniak (dramatically assaying weight in music), Holly Harrison (a witty take on instrumental and other distortions) and Thomas Meadowcroft (a gently vibrating meditation that opens out to a pulsing expansive vision).

25 February 2021

Editorial Thursday 27 August 2020

Keith Gallasch & Virginia Baxter

The highly successful 2019 exhibition In Response: Dialogues with RealTime, which celebrated the interplay between RealTime and the artists Martin del Amo, Vicki Van Hout and Branch Nebula, is now exhibited online. We also interview instigator and co-curator Dr Erin Brannigan about her motivation for mounting this innovative exhibition. In another bold archival venture, Madeleine Hodge and Sarah Rodigari have created Timely Readings, a visual mapping of live art in Australia.

27 August 2020

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RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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