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    warby, ros:

    MoveMe’s becoming & arriving

    Maggi Phillips

    between one and the many

    Philipa Rothfield

    tribute, legacy & radical revisionism

    Keith Gallasch

    the metaphysics of birdwatching

    Keith Gallasch

    risky business adds aesthetic value

    Philipa Rothfield

    A festival of possibilities: the faraway nearby

    Keith Gallasch

    The dancer transforming

    Philipa Rothfield

    From impulse to form and community

    Christina Shepard

    Mysterious meetings

    Teri Hoskin

    Recollections: Sydney dance/performance

    Keith Gallasch

    Ros Warby: reframing the dancing body

    Erin Brannigan

    New choreographies

    Philipa Rothfield

    Touching lightly

    Virginia Baxter

    Hybrid yield

    Eleanor Brickhill

    Sound as body, body as composer

    Elizabeth Drake

    Between freedom and anticipation

    Philipa Rothfield

    swift, 2003

    RealTime

    original home, 1999

    RealTime

    enso, 1998

    RealTime

    monumental, 2006

    RealTime

    Shakespeare’s pillowslips

    Philipa Rothfield & Zsuszanna Soboslay Moore

    Surprising even the body that makes it

    Philipa Rothfield

    Outside outward display: tradition and the derivative

    Eleanor Brickhill

    A body will always be a body

    Naomi Richards

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    RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Australia Council for the Arts

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    Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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