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Australian
and international
exploratory
performance and
media arts

bangarra dance theatre:

RealTime dances: the big picture

Bangarra at 20: Circle of connection

Men’s Business in another world

Dan Edwards

Elma Kris: from a Torres Strait Islander perspective

Rianna Tatana

The intricacies of dance and history

Vicki Van Hout

The strengths & limits of form

The right to a rite of passage

Keith Gallasch

burning issue – authenticity: heritage and avant-garde

Vicki Van Hout

design language: place, people, heart

Jacob Nash

the power & magic of juxtaposition

Martin del Amo

australian stages on the page

Keith Gallasch

restoring culture: the dance of images & artefacts

Keith Gallasch

dance bites

Keith Gallasch

bangarra at 20: circle of connection

Jeremy Eccles

dance screen treasure chest

RealTime

Adelaide Festival 2004: Bangarra Dance Theatre, Triple Bill

Helen Omand

Bangarra Culture

Erin Brannigan

The Monaco Dance Forum: everything and more

Erin Brannigan

fish, 1997

RealTime

ochres, 1995 (co-choreographer bernadette walong)

RealTime

clan, 2004 (co-choreographer frances rings)

RealTime

mathinna, 2008

RealTime

Taking up the fight

Karen Pearlman

The history of our dancing bodies is becoming hot

Eleanor Brickhill

Timely dreaming

RealTime

As obvious and forgettable as gravity

Eleanor Brickhill

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

RealTime, Open City Inc
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