RealTime Arts
Australian
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performance and
media arts
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    RealTime Arts
    • About
    • Team
    • Artforms:
    • Theatre
    • Contemporary Performance & Live Art
    • Dance
    • Film
    • Media Arts
    • Aboriginal & Torres Strait Islander Art
    • Visual Art
    • Sound Art
    • Contemporary Classical & Experimental Music
    • Festivals
    • Art Politics
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    bangarra dance theatre:

    RealTime dances: the big picture

    Bangarra at 20: Circle of connection

    Men’s Business in another world

    Dan Edwards

    Elma Kris: from a Torres Strait Islander perspective

    Rianna Tatana

    The intricacies of dance and history

    Vicki Van Hout

    The strengths & limits of form

    The right to a rite of passage

    Keith Gallasch

    burning issue – authenticity: heritage and avant-garde

    Vicki Van Hout

    design language: place, people, heart

    Jacob Nash

    the power & magic of juxtaposition

    Martin del Amo

    australian stages on the page

    Keith Gallasch

    restoring culture: the dance of images & artefacts

    Keith Gallasch

    dance bites

    Keith Gallasch

    bangarra at 20: circle of connection

    Jeremy Eccles

    dance screen treasure chest

    RealTime

    Adelaide Festival 2004: Bangarra Dance Theatre, Triple Bill

    Helen Omand

    Bangarra Culture

    Erin Brannigan

    The Monaco Dance Forum: everything and more

    Erin Brannigan

    fish, 1997

    RealTime

    ochres, 1995 (co-choreographer bernadette walong)

    RealTime

    clan, 2004 (co-choreographer frances rings)

    RealTime

    mathinna, 2008

    RealTime

    Taking up the fight

    Karen Pearlman

    The history of our dancing bodies is becoming hot

    Eleanor Brickhill

    Timely dreaming

    RealTime

    As obvious and forgettable as gravity

    Eleanor Brickhill

    realtime

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    RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Australia Council for the Arts

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    Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

    RealTime, Open City Inc
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    www.realtime.org.au

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