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    Media Art Asia Pacific (MAAP):

    Kim Machan: re-visioning the horizon

    Keith Gallasch

    Time-shifting landscapes

    Greg Hooper

    making it internationally in media arts

    Julianne Pierce

    new media, new to china

    Dan Edwards

    Living the in-between

    Keith Gallasch

    the virtual gets physical, the user too

    Keith Gallasch

    Internet incarnate

    Danni Zuvela

    In Beijing and Chongqing people say…

    Iain Mott

    The body between: an interview/review

    Keith Gallasch

    Archiving history face to face

    Keith Gallasch

    The pause that refreshes

    Virginia Baxter

    Computer juice

    Gail Priest

    An eye for sound

    Gail Priest

    When words flail you

    Gail Priest

    Conceptual leaps

    Gail Priest

    A museum of accidents

    Virginia Baxter

    Every available space

    Virginia Baxter

    Material boys

    Keith Gallasch

    The inevitable body

    Michael Lee Hong Hwee

    The wild ones

    MAAP in Singapore 2004 – Gravity: Introduction

    Keith Gallasch

    MAAP 2004 in Singapore: defying gravity

    RealTime

    Opening doors: MAAP in Beijing

    Di Klaosen

    ISEA Nagoya: hi-tech, low output

    Bruce Mowson

    New voices, other aesthetics

    Douglas Leonard

    MAAP01: new media in excess

    Keith Gallasch

    MAAP festival 2000

    Keith Gallasch

    Notes and imprints

    Julainne Sumich

    Hong Kong—rebuilding on disappearance

    Grisha Dolgopolov

    Missile: Shanghai N.2

    Jason Sweeney

    Missile: CONTACT

    Grisha Dolgopolov

    Location location location

    Virginia Baxter

    Australia’s expanding screen culture

    RealTime

    The real/digital festival

    RealTime

    New hierarchies, new colonies

    Linda Carroli & John Armstrong

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    RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Australia Council for the Arts

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    Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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