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    • About
    • Team
    • Artforms:
    • Theatre
    • Contemporary Performance & Live Art
    • Dance
    • Film
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    • Aboriginal & Torres Strait Islander Art
    • Visual Art
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    Cmielewski, Leon:

    new kid on the conglomerate art block

    Sophia Kouyoumdjian

    critical flows: climates & peoples

    Janine Randerson

    making it internationally in media arts

    Julianne Pierce

    lake mungo as medium

    Keith Gallasch

    ars electronica, vitae brevis!

    Nigel Helyer

    imagining the invisible

    Anna Davis

    Querying the Commomwealth

    Tofts Darren

    Korea: gameplay

    Josephine Starrs

    Notes from a floating world: ISEA2004

    Lizzie Muller

    Of tools and toys: ISEA2004

    John Tebbutt

    Electrofringe 2002: art and other dirty words

    Gail Priest

    Wilful waste

    Daniel Palmer

    d>art: shot through with data

    Mitchell Whitelaw

    Teaching new media: aiming at a moving target

    Josephine Starrs & Leon Cmielewski

    St Kilda Film Festival: digital links

    Anna Dzenis

    Redefining hybridity: CD-ROM possibilities

    Mike Leggett

    Beyond the interface: exhibiting digital media

    Kathy Cleland

    Positively infectious

    Keith Gallasch

    The dirt on the Dream Kitchen

    Joni Taylor

    The Wetware season

    Mike Leggett

    Works in progress: pt1 (A-L)

    RealTime

    Eyeing the interface

    Teri Hoskin

    Digital subjectivity

    Norie Neumark

    techné cultures

    Mike Leggett

    Liminal spaces of becoming

    Anna Dzenis

    At the time and space of interface

    Virginia Baxter & Keith Gallasch

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    RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Australia Council for the Arts

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    Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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