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Australian
and international
exploratory
performance and
media arts

Issue 63:

Oct-Nov 2004

Magical sci-fi opera

Magical sci-fi opera

Keith Gallasch

1 October 2004

RealTime is 10: the party

RealTime

1 October 2004
A year of birthdays

A year of birthdays

RealTime

1 October 2004

Reeldance: the dance-cinema hybrid

Karen Pearlman

1 October 2004

Dancing the road to excess

Jonathan Marshall

1 October 2004

Remembered dislocations

Philipa Rothfield

1 October 2004
Time_Place_Space 3: Kill your darlings

Time_Place_Space 3: Kill your darlings

Julie Vulcan

1 October 2004
War, race, pearls

War, race, pearls

Joanna Barrkman

1 October 2004
The fine art of juggling

The fine art of juggling

Mary Ann Hunter

1 October 2004

Randai moves, eclectic beats

Gillian Arrighi

1 October 2004
The cool art of downtempo compilation

The cool art of downtempo compilation

Keith Gallasch

1 October 2004
In the mind's ear

In the mind's ear

Greg Hooper

1 October 2004
MAAP 2004 in Singapore: defying gravity

MAAP 2004 in Singapore: defying gravity

RealTime

1 October 2004
LA5: instrumental explorations

LA5: instrumental explorations

Danni Zuvela

1 October 2004
The next move?

The next move?

Michael Hooper

1 October 2004
Beauty of a greater logic

Beauty of a greater logic

Robert Israel Lloyd

1 October 2004
LA5: drum mutations

LA5: drum mutations

Greg Hooper

1 October 2004

Intransitives and declaratives

Teri Hoskin

1 October 2004

Red requiem

Alan Schacher

1 October 2004

Obituary: Michael Riley

Djon Mundine

1 October 2004

The art of the Kebaya

Maurice O'Riordan

1 October 2004
Seductive unknowability

Seductive unknowability

Diana Klaosen

1 October 2004

David Vadiveloo: grass roots reconciliation

Tim O'Farrell

1 October 2004
Transforming Argentina

Transforming Argentina

Danni Zuvela

1 October 2004

The Mousoulis vision of independence

Jake Wilson

1 October 2004

Collective imagination: et al.

Simon Rees

1 October 2004

In the space between words

Janice Muller

1 October 2004

Dresden: art movement in genesis

Adam Jasper Smith

1 October 2004

Hearing voices

Keith Gallasch

1 October 2004

Sarah Kane in Berlin

Adam Jasper Smith

1 October 2004

Relativity trip

Paul Brown

1 October 2004

Aural spell

Yishan Lam

1 October 2004
Res Artis: On the verge of elsewhere

Res Artis: On the verge of elsewhere

Olivia Khoo

1 October 2004
Res Artis: new media neoliberalised

Res Artis: new media neoliberalised

Robert Hassan

1 October 2004
Copyright: whose story?

Copyright: whose story?

Catherine Gough-Brady

1 October 2004
A question of form

A question of form

Jake Wilson

1 October 2004

Japan inside out: a journey

Jonathan Marshall

1 October 2004

Middle-Eastern film: women in focus

Rose Capp

1 October 2004

Thai cinema: the high points

Mike Walsh

1 October 2004
Breaking the doco mould

Breaking the doco mould

Dan Edwards

1 October 2004

Documentary: Illuminating the dark

Simon Ellis

1 October 2004

Animation: In the moment

Keith Gallasch

1 October 2004
Feature film: Hope…on the edge

Feature film: Hope…on the edge

Sandy Cameron

1 October 2004
Short film: Playing it safe

Short film: Playing it safe

Dan Edwards

1 October 2004

2004: unexpected innovations

Darren Tofts

1 October 2004
2004: glorious corporeality

2004: glorious corporeality

Lisa Gye

1 October 2004

Notes from a floating world: ISEA2004

Lizzie Muller

1 October 2004
Of tools and toys: ISEA2004

Of tools and toys: ISEA2004

John Tebbutt

1 October 2004

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

RealTime, Open City Inc
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