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Australian
and international
exploratory
performance and
media arts

Issue 59:

Feb-March 2004

The painting photography allows

Diana Klaosen

1 February 2004

Awesome: out of the comfort zone

Felena Alach

1 February 2004

Technology will eat itself

Gail Priest

1 February 2004

Re-mapping the world

Keith Gallasch

1 February 2004

Fast moves, still lives

Erin Brannigan

1 February 2004

Art eats the world, every day

Keith Gallasch

1 February 2004

Light made dark

Lily Hibberd

1 February 2004

Unseen, all too visible

Linda Marie Walker

1 February 2004

Video hard sell

Barbara Bolt

1 February 2004

Featured Artist: Brad Cook

RealTime

1 February 2004

Tampa microcosm

Mireille Juchau

1 February 2004

SOOB 2003: alive and mutating

Molly Hankwitz

1 February 2004

Performance Space redux

RealTime

1 February 2004

Children overboard: outrage & performance

Keith Gallasch

1 February 2004

A capital carnival

Keith Gallasch

1 February 2004

Wilde: illusion and undoing

Jonathan Marshall

1 February 2004

Foreman shakes it up

RealTime

1 February 2004

Operatic dirty work

Keith Gallasch

1 February 2004

Magical museological music theatre

Jonathan Marshall

1 February 2004

Hip hop on film

RealTime

1 February 2004
Sonic reinvigorations

Sonic reinvigorations

Jonathan Marshall

1 February 2004
Percussion passion

Percussion passion

Zsuzsanna Soboslay

1 February 2004

Flickerfest: looking for signs

Dan Edwards

1 February 2004

The darkness that yields light

Keith Gallasch

1 February 2004

Wataboshi: the seeds grow

Lalita McHenry

1 February 2004

Obituary: Benjamin Grieve

Fiona Winning

1 February 2004

What is music? This is!

Gail Priest

1 February 2004

Art: a forced entertainment

Keith Gallasch

1 February 2004

The sacrificial Asian in Australian film

Olivia Khoo

1 February 2004

The Finished People: a digital, political vision

Dan Edwards

1 February 2004

Asian Film: mirror images

Mike Leggett

1 February 2004

A passage to Indian cinema

Mike Walsh

1 February 2004
Northern exposures

Northern exposures

Dixi Joy Bankier

1 February 2004

Carnival of old masters and new

Melissa Madden Gray

1 February 2004

Interactive re-futuring

Keith Gallasch

1 February 2004

Machineries of joy: Futurotic

Darren Tofts

1 February 2004
The next media spike

The next media spike

RealTime

1 February 2004
ABC TV: Something's missing

ABC TV: Something's missing

Christine Harris-Smyth

1 February 2004

Women: the big picture

Nathalie Brillon

1 February 2004
Documentary: on the map, under pressure

Documentary: on the map, under pressure

Simon Enticknap

1 February 2004
Canada/Australia: comparing challenges

Canada/Australia: comparing challenges

Nathalie Brillon

1 February 2004

A wider perspective

RealTime

1 February 2004

Seriously weird worlds

Ashley Crawford

1 February 2004
Canada's new media insights

Canada's new media insights

Daniel Heckenberg

1 February 2004

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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