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Australian
and international
exploratory
performance and
media arts

Sound Art:

computer composers go back to the future

Dan MacKinlay

1 August 2007

sounds seen & worded

Greg Hooper

1 August 2007

dreams gentle and apocalyptic

Tony Osborne

1 August 2007

an improvising automaton

Anna Davis

1 June 2007

apocalypse near you

Darren Tofts

1 April 2007

all in good time

Keith Gallasch & Virginia Baxter

1 February 2007

unwilling prophet of the present

Philip Brophy

1 February 2007

taking the s-train

Jim Knox

1 December 2006

Sound bodies

Tony Osborne

1 October 2006

Memories of buildings and other ghosts

Stephen Jones

1 June 2006

Innovations for the ear

Samara Mitchell

1 April 2006

Edison's children

Gail Priest

1 April 2006

In Beijing and Chongqing people say…

Iain Mott

1 February 2006

The digital hurricane data dance

Tony Reck

1 December 2005

Computer music: software aesthetics

Greg Hooper

1 October 2005

Liquid Architecture 6: celebrating sound

Gail Priest

1 August 2005

Composing potentials

Gail Priest

1 June 2005

We, robots

Adam Jasper

1 December 2004

Installations out of Wagga

Bruce Mowson

1 December 2004

An eye for sound

Gail Priest

1 December 2004

A museum of accidents

Virginia Baxter

1 December 2004

In the mind's ear

Greg Hooper

1 October 2004

LA5: instrumental explorations

Danni Zuvela

1 October 2004

LA5: drum mutations

Greg Hooper

1 October 2004

BEAP 2004: Perth—digital city

Keith Gallasch

1 August 2004

Education Feature: Circuitous journeys

Gail Priest

1 August 2004

You are here. But where is that?

Sophea Lerner

1 August 2004

3-D and other worlds

Gail Priest

1 June 2004

Technology will eat itself

Gail Priest

1 February 2004

Primavera: the cinematic city

Gail Priest

1 December 2003

Matt Warren & Sally Rees

Sue Moss

1 October 2003

Kristian Thomas

Samara Mitchell

1 October 2003

4 new media artists

Linda Wallace

1 October 2003

Can education make a sound artist?

Gail Priest

1 August 2003

Liquid Architecture: the Parmegiani experience

Simon Sellars

1 August 2003

Electrofringe 2002: art and other dirty words

Gail Priest

1 December 2002

Looping forward: the analogue/digital dialogue

Gail Priest

1 October 2002

Substantial Echoes

Jonathan Marshall

1 August 2002

Helyer's progress: fusing art and science

John Potts

1 August 2002

Analogue 2 Digital: magic mechanics

Joni Taylor

1 April 2002

Garth Paine: putting the body back

Daniel Palmer

1 February 2002

Sit Ubu sit. Good dog.

Mitchell Whitelaw

1 December 2001

Architecture does sound

Douglas Kahn

1 December 2001

Lindsay Vickery: running up an opera noir

Andrew Beck

1 December 2001

An orchestra of speakers

Bruce Mowson

1 October 2001

d>art: shot through with data

Mitchell Whitelaw

1 August 2001

Inside the hurdy-gurdy

1 August 2001

Working the globe

inhouse

1 April 2001

Sounds for hungry ears

Martin Walch

1 April 2001

Don't call me baby, baby

Darren Tofts

1 April 2001

Sonic Residues: an education in sound

Jim Barbour

1 February 2001

Music of the pods: Garth Paine's Reeds

Lisa Gye

1 December 2000

futureScreen 00: getting Alife

Keith Gallasch

1 October 2000

Experimenta's Orbital view

Anna Dzenis

1 October 2000

New media and electronic music: quakes and creations

Caleb K

1 April 2000

WriteSites

Dean Kiley

1 October 1999

Driving into the interior

Darren Tofts

1 October 1999

Works in progress: performance

RealTime

1 August 1999

Works in progress: interactive Installations

RealTime

1 August 1999

Relaxed, but engaged?

Samara Mitchell

1 June 1999

A meta-world of watchfulness

Di Klaosen

1 June 1999

The rise of desktop radio

Adam Hyde

1 October 1998

A digital silence

Martin Walch

1 April 1998

Virtual architecture

Di Klaosen

1 April 1998

Out of the box

Sophea Lerner

1 February 1998

Condition: Shock of the Ear

Keith Gallasch

1 June 1997

Lo-fi nostalgia and the music of aural voyeurism

John Potts

1 February 1997

Hovering in the multimedia background

John Potts

1 October 1996

How's tricks?

Jane Goodall

1 April 1996

… And in our madness we rave

Kit McMahon and Dena Christy

1 February 1996

Phobias, fashion and hope

Mike Leggett

1 February 1996

Digital dereliction

Marius Webb

1 October 1995

The monkey with the digital touch

James Compton

1 October 1995

Incidental Pleasures: Arf Arf

Adrian Martin

1 June 1995

Earwitness News

Annemarie Jonson

1 October 1994

North to Cyberia

John Potts

1 October 1994

Experimenta 1994

Colin Hood

1 October 1994

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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