RealTime Arts
Australian
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    • About
    • Team
    • Artforms:
    • Theatre
    • Contemporary Performance & Live Art
    • Dance
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    • Aboriginal & Torres Strait Islander Art
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    de quincey co:

    Inquisitive pairings of data and forms

    Andrew Fuhrmann

    The metadata that counts

    History never repeats

    Caroline Wake & Keith Gallasch & Virginia Baxter

    dancing heavy metal

    Pauline Manley

    dynamic duets

    Keith Gallasch

    within the frame: a timeless space

    Keith Gallasch

    a once and future building

    Jodie McNeilly

    Deep in the Desert

    Rachel Maher

    Nerve 9 goes national

    RealTime

    Strange beasts

    Keith Gallasch

    Embracing profusion

    Eleanor Brickhill

    Tess de Quincey

    RealTime

    On the go: Australians performing internationally

    Keith Gallasch

    De Quincey Co: ghostings

    Keith Gallasch

    Promiscuous diversity

    Keith Gallasch

    A body called flesh

    Eleanor Brickhill

    Degrees of pathos: Sydney performance

    Keith Gallasch

    Edge, desert, reticulation, information

    Martin Harrison

    Triple Alice: catching the weather

    Keith Gallasch

    Boosting performance praxis

    Ed Scheer

    Streets of dancing

    RealTime

    triple alice, 1999-2001

    RealTime

    embrace: guilt frame, 2008

    RealTime

    nerve 9, 2001

    RealTime

    triptych, 2008

    RealTime

    run—a performance engine, 2009

    RealTime

    realtime

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    RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Australia Council for the Arts

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    Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

    RealTime, Open City Inc
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