RealTime Arts
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    Fox, Robin:

    MESS: not so old machines, new music

    Gail Priest

    pleasures synaesthetic & crystalline

    Sam Gillies

    antarctic reveries

    Greg Hooper

    sonic antarctic

    RealTime

    another acoustic reality

    sound art+/-performance

    Simon Charles

    looping & shimmering

    Andrew Harper

    the sound of bicycles singing

    Shannon O'Neill

    infiltrations & accumulations

    Gail Priest

    ecstasy & other states

    Keith Gallasch

    a feral universe

    Keith Gallasch

    the fringe morphs

    Dan MacKinlay

    making music at the interface

    Dean Linguey

    gideon obarzanek: after glow

    Keith Gallasch

    Interactivity in performance: art as research

    Mike Leggett

    3-D and other worlds

    Gail Priest

    Liquid Architecture; on sonic wings

    RealTime

    Electrofringe 2002: art and other dirty words

    Gail Priest

    Substantial Echoes

    Jonathan Marshall

    realtime

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    RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Australia Council for the Arts

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    Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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