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    RealTime Arts
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    dLux media arts:

    Experimental art—having to speak for itself

    Darren Jorgensen

    ISEA: Immersion + Assange

    RealTime

    isea2013: resistance is futile/fertile

    Keith Gallasch

    apps, dim sum & astronauts' wives

    Kirsten Krauth

    utopia reconsidered

    Dan MacKinlay

    time travelling via gps

    Kate Richards

    ghosts in the machine, romance in the garden

    RealTime

    new order distribution

    Keith Gallasch

    Women whisper secrets

    Virginia Baxter

    Digital experimentation: cultural reciprocity

    RealTime

    Video lite

    Gail Priest

    Cell Break

    Lizzie Muller

    Mobilising phone art

    Anna Davis

    NSW: Regional digitisation

    Dan Edwards

    The public face of online interaction

    Lizzie Muller

    Video challenges: fury and reflection

    Keith Gallasch

    Engagements with gameplay

    Melanie Swalwell

    Boys, birds, bombs

    Jean Poole

    …machine dreaming?

    Chris Reid & Jena Woodburn

    SOON: media arts

    RealTime

    Lateral activism

    Joni Taylor

    d>art: shot through with data

    Mitchell Whitelaw

    Artificial Life: a hard call

    Liminal Product

    futureScreen 00: getting Alife

    Keith Gallasch

    d>art 00: digital exceptions

    Keith Gallasch

    Playing virtual dress ups

    Mitchell Whitelaw

    Blood on the keys

    Joni Taylor

    Diving into the virtual

    Kathy Cleland

    Digital rules!

    Michael Hill

    Emerging entities, difficult syntheses

    John Potts

    Blimey!

    Steven Ball

    realtime

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    RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Australia Council for the Arts

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    Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

    RealTime, Open City Inc
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