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Australian
and international
exploratory
performance and
media arts

Issue 48:

April-May 2002

The improvising organism

Gail Priest

1 April 2002

Melbourne's Midsumma cabaret culture

Jonathan Marshall

1 April 2002

Next Wave: the liberated festival

Keith Gallasch

1 April 2002

Dressed to distress

Ian Haig

1 April 2002

rosalind crisp: a european future

Erin Brannigan

1 April 2002

Bodyworks: dance constructions

Philipa Rothfield

1 April 2002

Filmic thematic at IMA

Barbara Bolt

1 April 2002

The object of the game: digital sculpture

Daniel Palmer

1 April 2002

Still Angela: a slice of the girl

Mary-Ann Robinson

1 April 2002

Black and white in full colour

Mary-Ann Robinson

1 April 2002

Half full/empty with happiness

Francesca Rendle-Short

1 April 2002

The Opera Project: decadence and survival

Keith Gallasch

1 April 2002

A hint of permanence

Gail Priest

1 April 2002
A sound bible

A sound bible

Keith Gallasch

1 April 2002
Totally Huge: landscape/soundscape

Totally Huge: landscape/soundscape

Andrew Beck

1 April 2002
Freeformance celebration

Freeformance celebration

Jonathan Marshall

1 April 2002

Something in the air

Sarah Miller

1 April 2002
Barret Hodson: The fall of Australian film culture

Barret Hodson: The fall of Australian film culture

Jeremy Eccles

1 April 2002
The Lawson vision: sharing Australia

The Lawson vision: sharing Australia

John Conomos

1 April 2002

Stevie Wishart: the anatomy of the hurdy-gurdy

Keith Gallasch

1 April 2002
The music of refuge

The music of refuge

Keith Gallasch

1 April 2002

Tough nights at home

Keith Gallasch

1 April 2002

Sydney Biennale 2002: tripping over a zeitgeist

Jacqueline Millner

1 April 2002

Everyday miracles

Virginia Baxter

1 April 2002

Sculptural fantasias

Zsuzsanna Soboslay

1 April 2002
Hello/goodbye PACT

Hello/goodbye PACT

Caitlin Newton-Broad

1 April 2002
RT48 Editorial

RT48 Editorial

RealTime

1 April 2002

Lesson in dying

Josephine Wilson

1 April 2002
POST

POST

RealTime

1 April 2002
Vagina magic

Vagina magic

1 April 2002
Margaret Roberts: performative architecture

Margaret Roberts: performative architecture

Alan Schacher

1 April 2002
Zoom!: the boys are back in town

Zoom!: the boys are back in town

Mike Walsh

1 April 2002

Maralinga Revisited

Jeremy Eccles

1 April 2002

An everyday Messiah

Chris Reid

1 April 2002

Bitter-sweet

Teri Hoskin

1 April 2002

Poised to explode

Jeremy Eccles

1 April 2002

Escape Route

Jeremy Eccles

1 April 2002
Adelaide biennial: the convergence fantasy

Adelaide biennial: the convergence fantasy

Jena Woodburn

1 April 2002

Analogue 2 Digital: magic mechanics

Joni Taylor

1 April 2002

Outside the Cube

Jena Woodburn

1 April 2002

Vaudeville alive

Noel Purdon

1 April 2002

Roger Wilkins, NSW Director-General of Arts

Keith Gallasch

1 April 2002

Kristian Burford

Michael Newall

1 April 2002

Catching the slipstream

Andrew Nicholls

1 April 2002

Beneath Clouds: language as simple as a look

Mike Walsh

1 April 2002

Just whose Indigenous filmmaking?

Kirsten Krauth

1 April 2002

Yarning

Christine Nicholls

1 April 2002

Truth and the Rabbit-proof Fence

Jane Mills

1 April 2002

Making a Rabbit-proof Fence

Hunter Cordaiy

1 April 2002
2002 WA Screen Awards: final cut

2002 WA Screen Awards: final cut

Mary O'Donovan

1 April 2002

Life's more than drag

Kirsten Krauth

1 April 2002
Small screen desire

Small screen desire

Wendy Haslem

1 April 2002

Seen

mez

1 April 2002
Soon

Soon

Kirsten Krauth

1 April 2002

Michelle Glaser: writing digital art

Felena Alach

1 April 2002
conVerge: joint ventures

conVerge: joint ventures

Martin Walch

1 April 2002
Getting away to it all

Getting away to it all

Jean Poole

1 April 2002

Digital documentary

Julia Erhart

1 April 2002
Illuminated thesaurus

Illuminated thesaurus

Mitchell Whitelaw

1 April 2002

Digital lab

RealTime

1 April 2002
New media, new resistance

New media, new resistance

David Varga

1 April 2002

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

RealTime, Open City Inc
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