RealTime Arts
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    RealTime Arts
    • About
    • Team
    • Artforms:
    • Theatre
    • Contemporary Performance & Live Art
    • Dance
    • Film
    • Media Arts
    • Aboriginal & Torres Strait Islander Art
    • Visual Art
    • Sound Art
    • Contemporary Classical & Experimental Music
    • Festivals
    • Art Politics
    • Editorials
    • Features:
    • RealTime Audio
    • RealTime Video
    • RealTime Traveller
    • RealTime Dance
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    Paine, Garth:

    Musical multiverses

    Gail Priest

    mind, play, empathy & machines

    Melinda Rackham

    the body as lived

    Mike Leggett

    Interactivity in performance: art as research

    Mike Leggett

    Composing potentials

    Gail Priest

    Garth Paine: putting the body back

    Daniel Palmer

    Sonic Residues: an education in sound

    Jim Barbour

    Music of the pods: Garth Paine's Reeds

    Lisa Gye

    Beyond the interface: exhibiting digital media

    Kathy Cleland

    Something more than choreography

    Keith Gallasch

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    RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Australia Council for the Arts

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    Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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