fbpx
Australian
and international
exploratory
performance and
media arts

Four quartets, from musing to outburst

Zoe Barker: Argonaut Quartet, Glossolalia

14 September 2016

Loops within loops

Claudine Michael: SISTER, Work

14 September 2016

Reverse the trend; champion creative education

Liz Bradshaw: Sydney College of the Arts crisis in context

14 September 2016

Music Writers’ Workshop

BIFEM 2016 Workshop L-R: Madeline Roycroft, Zoe Barker, Virginia Baxter, Bec Scully, Keith Gallasch, Claudine Michael, Matthew Lorenzon, Alex Taylor The Bendigo International Festival of Exploratory Music’s Writers’ Workshop participants and their Partial Duration and RealTime mentors pose for the camera before once again facing the music. You can read all the reviews on Partial […]

14 September 2016

Adelaide College of the Arts: Acting, privilege and legacy

Ben Brooker: interview Terence Crawford & staff

14 September 2016

How animal are humans?

Ben Brooker: Tutti, Stepping Stone & Andres Busrianto, Beastly

14 September 2016

On the precipice

Bec Scully: ELISION/ANAM, Enno Poppe, Speicher

14 September 2016

The ensemble as organism

Madeline Roycroft: ELISION ensemble, The Wreck of Former Boundaries, How Forests Think

14 September 2016

When light plays an orchestra

Madeline Roycroft: COD.ACT, pho:ton, Bendigo Symphony Orchestra

14 September 2016

The corralling of disparate voices

Alex Taylor: Argonaut Ensemble, Seeing Double

14 September 2016

Andrée Greenwell’s Cinéaste: reflections & refractions

Keith Gallasch

Cinéaste Vol. 1 is a fascinating assemblage that allows composer Greenwell to lovingly reflect on the idiom of film scoring and to inventively refract her own compositions, yielding aural gems: riffs, ostinatos, hooks and soundscapes, the stuff of movies actual and imagined.

5 October 2021

Sky Blue Mythic: Angela Goh’s fantastical myth-making

Keith Gallasch

More essay than review, Keith Gallasch’s response to Angela Goh’s Sky Blue Mythic explores the relationship between experiencing a powerfully disconcerting work, reviewing it and engaging with the artist’s account of it.

26 July 2021

Narcifixion: Watching the narcissists

Keith Gallasch

Anton’s vigorously propulsive, grimly funny dance work, Narcifixion, about screen-bred narcissism provokes Keith Gallasch, watching a finely streamed performance, to appreciate the logic of its structure and respond to its account of a complex condition.

17 June 2021

Rakini Devi’s nightwork: the performer as visual artist

Keith Gallasch

The exhibition Inhabiting Erasures powerfully attests to a passion to arrest the wrongs done to women, conjures a magical otherworld of female strength and beauty and exquisitely reveals painting to be the foundation of Devi’s practice.

2 June 2021

The RealTime Archive: Contributors: Jodie McNeilly

For our archive we’re completing and updating our contributor entries. Dancer, research academic and writer Jodie McNeilly likes that writing “lets [her] turn towards the world with acute attention.” Read Jodie’s profile here.

12 March 2021

The RealTime Archive: Contributors: Erin Brannigan

For our archive we’re completing and updating our contributor entries. Writer and teacher Erin Brannigan’s passionate “motivation in writing about dance and choreography in its many forms is to help it persist into the future.”

12 March 2021

The RealTime Archive: Contributors: Cleo Mees

For our archive we’re completing and updating our contributor entries. Writer, teacher and video-maker Cleo Mees reflects on music and dance, Bodyweather and writing “that makes surprising associations and confessions…”

12 March 2021

Excellent everyday Kathak: Raghav Handa’s TWO

Keith Gallasch

With amusing conversation and exquisite partnering dancer Raghav Handa and tabla player Maharshi Raval reveal much about collaboration, Kathak dance and the testing of boundaries.

25 February 2021

Album review: Offspring Bites 3: En Masse

Keith Gallasch

From Ensemble Offspring potent works by Alex Pozniak (dramatically assaying weight in music), Holly Harrison (a witty take on instrumental and other distortions) and Thomas Meadowcroft (a gently vibrating meditation that opens out to a pulsing expansive vision).

25 February 2021

Editorial Thursday 27 August 2020

Keith Gallasch & Virginia Baxter

The highly successful 2019 exhibition In Response: Dialogues with RealTime, which celebrated the interplay between RealTime and the artists Martin del Amo, Vicki Van Hout and Branch Nebula, is now exhibited online. We also interview instigator and co-curator Dr Erin Brannigan about her motivation for mounting this innovative exhibition. In another bold archival venture, Madeleine Hodge and Sarah Rodigari have created Timely Readings, a visual mapping of live art in Australia.

27 August 2020

View Archive

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

RealTime, Open City Inc
84 Womerah Avenue
Rushcutters Bay NSW 2011 Australia
Telephone 61 2 9332 4549 Mob 0410 664549

[email protected]
www.realtime.org.au

All rights reserved. RealTime™ is a Registered Trademark.

VACS