RealTime
Here is a new event on its second outing, and of major significance for Australian live art/performance art. The intensification of the relationship between Australian and international performance scenes is building rapidly with the emergence of Time_Place_Space (see page 28), the Performance Space-PICA-Arnolfini (Bristol, UK) Breathing Space connection, and the visits of Blast Theory (2002) and Forced Entertainment (2004 Adelaide Festival). The welcome consolidation of this rich pattern of exchange is more than evident in The National Review of Live Art Midland, Perth’s international festival dedicated to the presentation and exploration of live art practice. Established in 2002, the NRLA Midland is a collaboration between the City of Swan and New Moves International (UK), producers of NRLA Glasgow, Europe’s longest running and most influential festival of Live Art.
This will be an unconventional festival, with works that will take you beyond the niceties of neat timetabling into the time-space loop of durational performances and installations offering contemplative experiences, new ways of regarding the body, movement and issues of the moment. The program includes Hideyuki Sawayanagi (Japan); sculptor and performance artist Richard Layzell (UK), also conducting workshops; Dutch choreographer Angelika Oei and sculptor RA Verouden (with <
Midland Railway Workshops, Oct 22-26
RealTime issue #57 Oct-Nov 2003 pg. 30