Australian
and international
exploratory
performance and
media arts

Issue 31:

June-July 1999

Okay, how is cyberspace like Heaven

Darren Tofts

1 June 1999

It's in the bones

RealTime

1 June 1999

Antistatic and the beast

Eleanor Brickhill

1 June 1999

Reclaiming dance as innovator

Erin Brannigan

1 June 1999

Showing the workshopping

Erin Brannigan

1 June 1999

Boosting performance praxis

Ed Scheer

1 June 1999

Hybrid yield

Eleanor Brickhill

1 June 1999

Young Woman Glass Soul

RealTime

1 June 1999

Do remember this

Virginia Baxter

1 June 1999

25 Songs On 25 Lines Of Words On Art Statement For Seven Voices And Dance

Edward Scheer

1 June 1999

A meta-world of watchfulness

Di Klaosen

1 June 1999

WriteSites – starlets and hypertext dropouts

WriteSites – starlets and hypertext dropouts

Kirsten Krauth

1 June 1999

Body think

Rachel Fensham

1 June 1999

The City in performance in development

Alex Hutchinson & Clare Stewart

1 June 1999

The taste of data

Jane Mills

1 June 1999

Don’t fence me in

Anne Thompson

1 June 1999

The word dances

Edward Scheer

1 June 1999

Architecture, body parts & language

Erin Brannigan

1 June 1999

The more than visual

Eleanor Brickhill

1 June 1999

Eyeing the interface

Eyeing the interface

Teri Hoskin

1 June 1999

The centre shifts

The centre shifts

Keith Gallasch

1 June 1999

Relaxed, but engaged?

Relaxed, but engaged?

Samara Mitchell

1 June 1999

Site steps

Indija N. Mahjoeddin

1 June 1999

Strange qualities

Julia Postle

1 June 1999

Writing, community, virtuality

Writing, community, virtuality

Linda Carroli

1 June 1999

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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