The improvising organism

Gail Priest: The improvising organism

In her first review for RealTime, in 2002, Gail alertly captures the dynamic intricacies, the sounds and sense of immediacy that is a Machine for Making Sense performance.

RealTime 48 April-May 2002

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Top image credit: Jim Denley, Stevie Wishart, Amanda Stewart, Rik Rue, Machine for Making Sense, 2002

10 April 2002

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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Gail Priest: The improvising organism

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