Editorial 17 July 2019

RealTime Extra. As we continue to refine and build on the RealTime archive, we thought you’d enjoy reading about the joyous launch at UNSW Library Exhibition Space by Professor Sarah Miller OA of the complete 1994-2015 print editions of RealTime on the National Library of Australia’s TROVE website.

Archive alive: launching RealTime on TROVE

Keith Gallasch and Virginia Baxter

The launch of the 1994-2015 print editions of RealTime on the National Library of Australia’s TROVE website was a memorable night of performances, reminiscences and wise words about cultural memory and the importance of archiving, inflected with laughter and a few tears.

RealTime dances: the big picture

Erin Brannigan

Erin Brannigan takes on the monumental task of surveying RealTime’s committed engagement with Australian contemporary dance from state to state, in theatres, galleries, onscreen, in digital interactions and Indigenous practices.

Scene changes: Mapping Melbourne theatre 2005-2015

Andrew Fuhrmann

Andrew Fuhrmann traces his performance-going trajectories 2005-15, reflecting on a theatre culture that once worked in the fringes and revelled in them, creating its own public spaces and demanding attention.

Editorial 15 April 2019

Welcome and farewell. Farewell to RealTime, a 25-year publishing adventure that has come to a celebratory conclusion and welcome to the RealTime Archive, a massive documentation of a period of remarkable transformation driven by the artists who inspired us and to whom we and our many writers creatively responded.

In Response: Dialogues with RealTime, the exhibition

Keith Gallasch and Virginia Baxter

This innovative UNSW Library exhibition features displays and live presentations by Martin Del Amo, Branch Nebula and Vicki Van Hout reflecting on their works and the critical response to them.

Martin Del Amo: In response…

Martin Del Amo

Dancemaker Martin Del Amo tellingly juxtaposes Heidrun Löhr’s photographs of his creations across his career with intimate and extensive reflections on the works and the RealTime reviews.

In Response… Artists in Action

Keith Gallasch

Keith Gallasch witnesses the three live presentations made for In Response: Dialogues with RealTime, in which Martin Del Amo, Branch Nebula and Vicki Van Hout idiosyncratically animated their installations.

Art & review: an enduring loop

Keith Gallasch & Virginia Baxter

In a catalogue essay for the exhibition In Response: Dialogues with RealTime, Virginia and Keith delineate their vision of the complex interplay between artist, artwork and writer in the making of a review as it unfolds in real time.

The RealTime team

This new section features a joint biography for Managing Editors Keith and Virginia, seen here with RealTime staff in 2014. More entries will be added as we complete the archive.

Multiversing The Rocks

Keith Gallasch

Looking for an adventure that takes you deep into Sydney’s The Rocks as both an actual and virtual space? The City of Forking Paths is a “physical cinema” work originally commissioned from Canadian artists Janet Cardiff and George Bures Miller by the City of Sydney for the 2014 Biennale of Sydney. It’s up and running again.

Sydney Chamber Opera, La Passion De Simone: spiritual turbulence

Keith Gallasch

Deploying installation, video art and evocations of durational performance art, Sydney Chamber Opera stages Kaija Saariaho’s La Passion de Simone with a daring representation of the philosopher mystic Simone Weil.

THE LOOP: Waiting for DAU

A New York Times report on a massive cinematic installation by Russian film director Ilya Khrzhanovsky inspired by the life of Nobel Prize winning theoretical physicist Lev Landau grabbed our attention. With 13 feature-length films, performance and much else, it’s about to open in Paris, police permit pending.