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			<image:caption><![CDATA[Michael Cook, Mother (See Saw), IMPACT, UTS Gallery, photo courtesy the artist, Andrew Baker Art Dealer and THIS IS NO FANTASY + Dianne Tanzer Gallery]]></image:caption>
			<image:title><![CDATA[See-Saw copy 3]]></image:title>
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	<url>
		<loc><![CDATA[https://www.realtime.org.au/hollis-taylor-absolute-bird-double-cd/]]></loc>
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		<loc><![CDATA[https://www.realtime.org.au/anthroposcenic-antarctica/]]></loc>
		<lastmod><![CDATA[2017-06-12T04:23:37+00:00]]></lastmod>
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			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/Station.2.jpg]]></image:loc>
			<image:caption><![CDATA[Davis Station, Antarctica, Philip Samartzis, photo courtesy the artist]]></image:caption>
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			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/antarctica.jpg]]></image:loc>
			<image:caption><![CDATA[Philip Samartzis, Antarctica, photo courtesy the artist]]></image:caption>
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		<loc><![CDATA[https://www.realtime.org.au/is-birdsong-music-ask-the-butcherbird/]]></loc>
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			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/PiedButcherbirdHollisTaylor.jpg]]></image:loc>
			<image:caption><![CDATA[Pied butcher bird, photo Hollis Taylor]]></image:caption>
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		<image:image>
			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/Is_Birdsong_Music_Cover.jpg]]></image:loc>
			<image:caption><![CDATA[Book cover: Is Birdsong Music]]></image:caption>
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		<image:image>
			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/IMGP5778HT-Newhaven-copy-2.jpg]]></image:loc>
			<image:caption><![CDATA[Hollis Taylor, photo Jon Rose]]></image:caption>
			<image:title><![CDATA[IMGP5778HT Newhaven copy 2]]></image:title>
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	<url>
		<loc><![CDATA[https://www.realtime.org.au/antarctica/]]></loc>
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			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/Sound-Recording.jpg]]></image:loc>
			<image:caption><![CDATA[Sound recording, Antarctica, Philip Samartzis, photo courtesy the artist]]></image:caption>
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		<loc><![CDATA[https://www.realtime.org.au/triple-j-arts-criticism-in-crisis/]]></loc>
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			<image:caption><![CDATA[Stock image, Mordolff]]></image:caption>
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		<loc><![CDATA[https://www.realtime.org.au/polyphonic-social-sacred-other-resonances/]]></loc>
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			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/LA2017_Polyphonic-Uncle-Bill-Nicholson-Keelan-OHehir-46.jpg]]></image:loc>
			<image:caption><![CDATA[Uncle Bill Nicholson with audience at Dight Falls, Polyphonic Social, Liquid Architecture, 2017, photo Keelan O’Hehir]]></image:caption>
			<image:title><![CDATA[LA2017_Polyphonic &#8211; Uncle Bill Nicholson (Keelan O&#8217;Hehir) -46]]></image:title>
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			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/LA2017_Polyphonic-Lin-Chi-Wei-Keelan-OHehir-2-34.jpg]]></image:loc>
			<image:caption><![CDATA[Lin Chi Wei performance, Polyphonic Social, Liquid Architecture, 2017, photo Keelan O’Hehir]]></image:caption>
			<image:title><![CDATA[LA2017_Polyphonic &#8211; Lin Chi-Wei (Keelan O&#8217;Hehir) -2-34]]></image:title>
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			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/LA2017_Polyphonic-Rosie-Isaac-Keelan-OHehir-50.jpg]]></image:loc>
			<image:caption><![CDATA[Rosie Isaac, Polyphonic Social, Liquid Architecture, 2017, photo Keelan O’Hehir]]></image:caption>
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			<image:caption><![CDATA[Hi God People, Polyphonic Social, Liquid Architecture, 2017, photo Keelan O’Hehir]]></image:caption>
			<image:title><![CDATA[LA2017_Polyphonic- Hi God People (Keelan O&#8217;Hehir) (137)]]></image:title>
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	</url>
	<url>
		<loc><![CDATA[https://www.realtime.org.au/christian-thompsons-performative-self-portraiture/]]></loc>
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			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/AC_8362.jpg]]></image:loc>
			<image:caption><![CDATA[Christian Thompson: Ritual Intimacy, installation view: Monash University Museum of Art, Melbourne, 2017, photo Andrew Curtis]]></image:caption>
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			<image:caption><![CDATA[Christian Thompson: Ritual intimacy, installation view: Monash University Museum of Art, Melbourne 2017, photo: Andrew Curtis]]></image:caption>
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			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/Thompson_We-bury-our-own_Down-Under-World_2012_high-res_300dpi.jpg]]></image:loc>
			<image:caption><![CDATA[Down Under World from the series We bury our own, 2012, courtesy of the artist, Sarah Scout Presents, Melbourne and Michael Reid, Sydney and Berlin]]></image:caption>
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			<image:caption><![CDATA[Christian Thompson: Ritual intimacy, installation view: Monash University Museum of Art, Melbourne 2017, photo: Andrew Curtis]]></image:caption>
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			<image:loc><![CDATA[https://www.realtime.org.au/wp-content/uploads/2017/06/AC_8298.jpg]]></image:loc>
			<image:caption><![CDATA[Christian Thompson: Ritual Intimacy, installation view: Monash University Museum of Art, Melbourne, 2017, photo Andrew Curtis]]></image:caption>
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			<image:caption><![CDATA[Desert melon from the series We bury our own 2012, Monash University Collection, purchased by the Faculty of Science 2015]]></image:caption>
			<image:title><![CDATA[Thompson_We bury our own_(Desert melon)_2012_high res_300dpi]]></image:title>
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	</url>
	<url>
		<loc><![CDATA[https://www.realtime.org.au/kunstenfestivaldesarts-mirror-trap/]]></loc>
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			<image:caption><![CDATA[Bacchae: Prelude to a Purge, Marlene Monteiro Freitas, photo Filipe Ferreira courtesy Kunstenfestivaldesarts]]></image:caption>
			<image:title><![CDATA[14_MarleneMonteiroFreitas_Bacantes©Filipe Ferreira]]></image:title>
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			<image:title><![CDATA[marten spangberg © anne van aerschot, RHOK]]></image:title>
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	</url>
	<url>
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			<image:caption><![CDATA[Wireless, rehearsal photo FenLan]]></image:caption>
			<image:title><![CDATA[_MG_2158 copy]]></image:title>
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	</url>
	<url>
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			<image:caption><![CDATA[Geoffrey Gartner, Danger Magic, Liquid Architecture, 2017, photo courtesy Liquid Architecture]]></image:caption>
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			<image:caption><![CDATA[Members of The Mill Community Theatre Project working on Chairs, photo Peter Wilson]]></image:caption>
			<image:title><![CDATA[CoverAngela Chaplin, Neil Greenaway, Ernie Gray, Robert Draffin, Barbara Ciszewska and Terrie Waddell working on Chairs in the Front Theatre. Photo- Peter Wilson]]></image:title>
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		<loc><![CDATA[https://www.realtime.org.au/the-loop-14-june-2017/]]></loc>
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			<image:title><![CDATA[Josiephine Were, Meg Wilson, Ashton Malcolm &#8211; Points in the Plane]]></image:title>
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	</url>
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	</url>
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©Vincent Tullo/The New York Times/Headpress]]></image:caption>
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