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    • Theatre
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    Bio Art:

    Riding the theta waves

    Urszula Dawkins

    art-science: the cerebral & the sensory

    Ella Mudie

    tackling bio-art’s ethical ambiguities

    Urszula Dawkins

    cellular intrigue

    Kirsty Darlaston

    ars electronica, vitae brevis!

    Nigel Helyer

    new art the old way

    Dan MacKinlay

    Knit two together

    Shady Cosgrove

    Cutting out the middleman, Dr Frankenbott?

    Kate Vickers

    THIS SECRET LOCATION – George Khut: Cyborg dancing

    Tim Atack

    Bio-art's hybrid lives

    Kristy Darlaston

    Let the body navigate

    Kate Richards

    Bio-art: adventures in ethics

    Catherine Fargher

    BEAP 2004: Perth—digital city

    Keith Gallasch

    Collaboration or complicity?

    Anna Munster

    BEAP: art in the lab?

    Stephen Jones

    Helyer's progress: fusing art and science

    John Potts

    Digital lab

    RealTime

    Superfluous sex at Ars Electronica

    Melinda Rackham

    A view from the bleeding edge

    Paul Brown

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    RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

    Australia Council for the Arts

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    Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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