fbpx
Australian
and international
exploratory
performance and
media arts

Issue 56:

Avant-garde: the necessary context

Mike Walsh

1 August 2003

The adaptable, ethical artist-technician

Mireille Juchau

1 August 2003
Censorship: the lessons of Ken Park

Censorship: the lessons of Ken Park

Noel Purdon

1 August 2003
Dadang Christanto: a calling to account

Dadang Christanto: a calling to account

Allison Gray

1 August 2003
Remembering the suburban dream

Remembering the suburban dream

Dan Edwards

1 August 2003

When I'm calling you

Mireille Juchau

1 August 2003

Political king hit

Jonathan Marshall

1 August 2003
SPARK: firing on all cylinders

SPARK: firing on all cylinders

Brendan Phelan

1 August 2003

Playing hard: team playing

Harriet Cunningham

1 August 2003

The bridge: between iron and flesh

Mary Ann Hunter

1 August 2003

Alexandra and the De Heer Project

Rose Capp

1 August 2003

Theatre in her throat

Stephen Armstrong

1 August 2003
Berg and Kosky's Wiener Schauspielhaus

Berg and Kosky's Wiener Schauspielhaus

Jonathan Marshall

1 August 2003

Cross disciplines, experiment, market!

Linda Wallace

1 August 2003
Can education make a sound artist?

Can education make a sound artist?

Gail Priest

1 August 2003

2003 Vienna Festival: communal imagining

Jonathan Marshall

1 August 2003

A waking dream of history

Danni Zuvela

1 August 2003
The intricacies of low level listening

The intricacies of low level listening

Tim Catlin

1 August 2003

The circus of afterwardness

Leah Mercer

1 August 2003

Alt-X turns 10: unclassifiable writing triumphs

Darren Tofts

1 August 2003
Liquid Architecture: the Parmegiani experience

Liquid Architecture: the Parmegiani experience

Simon Sellars

1 August 2003
Singapore's chimerical school

Singapore's chimerical school

Bruce Keller

1 August 2003
Gaming: everybody's doing it

Gaming: everybody's doing it

Lisa Gye

1 August 2003
Editorial RT57

Editorial RT57

RealTime

1 August 2003
Talent, vision and miscrecognition

Talent, vision and miscrecognition

Mark Seton

1 August 2003
Beyond the new media comfort zone

Beyond the new media comfort zone

Briony Lee Downes

1 August 2003

Seeing double

1 August 2003

An eloquent ham

Josephine Wilson

1 August 2003

In the DEAF03 playground, Rotterdam

Anna Davis

1 August 2003

The past made present

Stephen Armstrong

1 August 2003

Apprenticeship in the ephemeral

Keith Gallasch

1 August 2003

Multicultural shape-shifting

Virginia Baxter

1 August 2003

Blobs with personality

Jena Woodburn

1 August 2003

Making a difference

Catherine Gough-Brady

1 August 2003

The search for intelligence and charisma

Wendy Haslem

1 August 2003

Mapping the way home: I remember 1948

Mireille Astore

1 August 2003
As Australian as…?

As Australian as…?

Geoffrey Atherden

1 August 2003

Nasty little games

Jonathan Marshall

1 August 2003

New Blak Films: new voices

Dan Edwards

1 August 2003

A dance of leaving

Linda Marie Walker

1 August 2003

Mirrors on Aboriginality

Eric Roberts

1 August 2003

Video goes big time: some crucial questions

Blair French

1 August 2003

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

RealTime, Open City Inc
84 Womerah Avenue
Rushcutters Bay NSW 2011 Australia
Telephone 61 2 9332 4549 Mob 0410 664549

[email protected]
www.realtime.org.au

All rights reserved. RealTime™ is a Registered Trademark.

VACS