Australian
and international
exploratory
performance and
media arts

Issue 45:

Searching for clues: Cameron and Parker

Philipa Rothfield

1 October 2001
OnScreen news

OnScreen news

RealTime

1 October 2001
Tangling with the tango

Tangling with the tango

Keith Gallasch

1 October 2001

Dance impro: what's afoot?

Eleanor Brickhill

1 October 2001
OnScreen news

OnScreen news

RealTime

1 October 2001

A Turkish-Australian dilemma

Keith Gallasch

1 October 2001
The outsider gallery

The outsider gallery

Alex Gawronski

1 October 2001

Arterial Group: the big charge

Keith Gallasch

1 October 2001

Treading on critic's toes

Josephine Wilson

1 October 2001

Chains of inference and connotation

Jena Woodburn

1 October 2001

Power music

Keith Gallasch

1 October 2001
The body twice

The body twice

Keith Gallasch

1 October 2001
Desert discotheque

Desert discotheque

Di Klaosen

1 October 2001

QBFM review excerpts

Greg Hooper & Jim Chapman & Richard Wilding & Robert Davidson & Simon Hewett & Lynette Lancini & Mitch Cunningham

1 October 2001
Skinflick: almost magic

Skinflick: almost magic

Philipa Rothfield

1 October 2001

Caught in the arthouse outhouse

Mike Walsh

1 October 2001

Boys, toys, pleasing noise

Gail Priest

1 October 2001
Under_score

Under_score

RealTime

1 October 2001

Doc Art

Sandy Edwards

1 October 2001

Of subjects and endings

Catherine Gough-Brady

1 October 2001
Waveform: Up to scratch

Waveform: Up to scratch

Caleb K

1 October 2001
editorial – rt45

editorial – rt45

Keith Gallasch

1 October 2001
Tactical loops…from the inner circle

Tactical loops…from the inner circle

Felena Alach & Bec Dean

1 October 2001

Animation: testing technique

Daniel Crooks

1 October 2001

An orchestra of speakers

Bruce Mowson

1 October 2001

Identity, being-together, destiny… contingent

Grisha Dolgopolov

1 October 2001

A stitch in time

Virginia Baxter

1 October 2001

Culturally complex fictions

Needeya Islam

1 October 2001

Wheatbelt town goes global

Sarah Miller

1 October 2001

Woman on the verge

1 October 2001
Women's music: different architectures

Women's music: different architectures

Zsuzsanna Soboslay

1 October 2001
$92.7m: the morning after

$92.7m: the morning after

Tina Kaufman

1 October 2001

Melbourne artist-run spaces: fighting fit

Daniel Palmer

1 October 2001

Innovation: maps & distribution

Keith Gallasch

1 October 2001

The colour of opera

Jonathan Marshall

1 October 2001

Melbourne Film Festival: doing Asia proud

Mike Walsh

1 October 2001
Dark Matter between Australia and Norway

Dark Matter between Australia and Norway

Keith Gallasch

1 October 2001

Strategies for a theatre at risk & in decay

Richard Murphet

1 October 2001
Geology's musical avatars

Geology's musical avatars

Jonathan Marshall

1 October 2001

Digital grit: SAPFF translations

Kirsten Krauth

1 October 2001

Darwin Festival: the best of times

Cath Bowdler

1 October 2001

A fish out of water

Mary-Ann Robinson

1 October 2001
Film reviews

Film reviews

RealTime

1 October 2001

WriteStuff: Chopper

Hunter Cordaiy

1 October 2001

Filipino high kitsch with crab creole & politics

Anne Ooms

1 October 2001

Doing a Foreman

Keith Gallasch

1 October 2001

Virtual VR immersion at MIFF

Alexandra Meagher

1 October 2001

Space odysseys: light visions

Adam Hyde

1 October 2001

Red Fern reckonings

Cassi Plate

1 October 2001

Shopping & history: new Australian plays

Noel Purdon

1 October 2001

Prizes & Projections 2001 Introduction

RealTime

1 October 2001
WriteSites: school with no rules

WriteSites: school with no rules

Jo Gray

1 October 2001
Censorship: the restricted adult

Censorship: the restricted adult

Tina Kaufman

1 October 2001

Archiving the useful & useless

Rachel Fensham

1 October 2001
Full house

Full house

Sarah Minney

1 October 2001

MAAP01: new media in excess

Keith Gallasch

1 October 2001
Punched out

Punched out

Keith Gallasch

1 October 2001

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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