Australian
and international
exploratory
performance and
media arts

Issue 44:

The theatre of war, the murder of bridges

The theatre of war, the murder of bridges

Christine Evans

1 August 2001
OnScreen news – filmSHORTS

OnScreen news – filmSHORTS

RealTime

1 August 2001

PVI collective: they're watching you

Bec Dean

1 August 2001

Perils of performance pedagogy

Peta Tait

1 August 2001
OnScreen news – digitalSHORTS

OnScreen news – digitalSHORTS

RealTime

1 August 2001

Exploding tears, hyperreal longing

Daniel Palmer

1 August 2001
Music education: an industrial evolution

Music education: an industrial evolution

Andy Arthurs & Richard Vella

1 August 2001

LIFT: reformulating a festival

Aleks Sierz

1 August 2001

The quiet archaeology of Neil Roberts

Zsuzsanna Soboslay

1 August 2001

Body regimes

RealTime

1 August 2001

Adelaide Fringe: the necessity of re-invention

Keith Gallasch

1 August 2001

The pull of the volcano

Gretchen Miller

1 August 2001
RT talk

RT talk

RealTime

1 August 2001

David Pledger: the danger zone

Richard Murphet

1 August 2001

Barry Schwartz: dangerous beauty

Douglas Leonard

1 August 2001

A (filmic) space between black & white

Jane Mills

1 August 2001

Chris Drummond: theatre as metaphor

Dickon Oxenburgh

1 August 2001
Of ears and vampires

Of ears and vampires

Sue Moss

1 August 2001

FedFest: short film reconciliations

Alex Hutchinson

1 August 2001

True blue at the local

Sarah Miller

1 August 2001
Don't go with the flow

Don't go with the flow

Jonathan Marshall

1 August 2001

Kumarangk 5214: this island is full of bodies

Teri Hoskin

1 August 2001

Sydney & Wollongong: atoms and fuel

Keith Gallasch

1 August 2001
Myth, word, aesthetic recycling

Myth, word, aesthetic recycling

Alistair Riddell

1 August 2001

OnScreen editorial: boundaries without fences

Kirsten Krauth

1 August 2001

More than the usual suspects

Caitlin Newton-Broad

1 August 2001
RTpost

RTpost

RealTime

1 August 2001

Sydney Film Festival: one for the gleaners

Kirsten Krauth

1 August 2001

Double Vision, strong focus

Daryl Buckley

1 August 2001

Picking at Emma's Nose: Flacco does Freud

Julian Meyrick

1 August 2001

Sydney Film Festival: a handful of high/lowlights

Simon Enticknap

1 August 2001

New latitude for dance at the Powerhouse

Shaaron Boughen

1 August 2001

B sharp and blunt

Kirsten Krauth

1 August 2001

Cinesonic 4: bringing sound to the surface

Bruce Mowson

1 August 2001

Dancing away with the Dendys

Erin Brannigan

1 August 2001
Why be a playwright when the play is dead?

Why be a playwright when the play is dead?

James Waites

1 August 2001

St Kilda Film Festival: (un)certain fusions

Peta Tait

1 August 2001

A body called flesh

Eleanor Brickhill

1 August 2001

Stepping into the fold

Linda Marie Walker

1 August 2001

Performance art, life crisis rituals

Dr E A Scheer

1 August 2001

New media arts, the NxT wave

Mary Jane Overall

1 August 2001

Champion & Whaites: dance theatres

Erin Brannigan

1 August 2001

Inside the hurdy-gurdy

1 August 2001

Editorial – RT44

Keith Gallasch

1 August 2001

d>art: shot through with data

Mitchell Whitelaw

1 August 2001

Taube, Ellis, McLeod & the uneasy body

Philipa Rothfield

1 August 2001
Mezangelling language: net.wurked writing

Mezangelling language: net.wurked writing

Andreea I. Carnu

1 August 2001

Composing miniatures, places, festivals

RealTime

1 August 2001

Lev Manovich: how to speak new media

Daniel Palmer

1 August 2001

Swan Lake with edge

Anne Thompson

1 August 2001

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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