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Australian
and international
exploratory
performance and
media arts

Issue 41:

Powering up the house

Keith Gallasch

1 February 2001

A letter from the antechamber

Philipa Rothfield

1 February 2001
WriteSites

WriteSites

RealTime

1 February 2001

A space for memorising and dreaming

Linda Marie Walker

1 February 2001

Maliphant: shaping spaces with bodies and light

Erin Brannigan

1 February 2001
Surface tension in New York theatre

Surface tension in New York theatre

Christine Evans

1 February 2001

Radiohead: ghost in the pop machine

Mark Hosler

1 February 2001

Profile: Cazerine Barry

RealTime

1 February 2001

Mardi Gras: secret men’s business

Eleanor Brickhill

1 February 2001

Making Crying Baby

RealTime

1 February 2001

TasDance: hypermobile finess

Di Klaosen

1 February 2001

Bridging the divide: gallery developments

Alex Gawronski

1 February 2001

Global volatility, cultural diversity

Ben Goldsmith

1 February 2001

Igneous: hands on diversity

Eleanor Brickhill

1 February 2001

The vision thing

Sarah Miller

1 February 2001

Richard Giblett: life-size

Bec Dean

1 February 2001

Not your average flagship

Dickon Oxenburgh

1 February 2001

Ghostings: creating intangible, plugged in art

Barbara Bolt

1 February 2001

Peter Oldham: man with a camera

RealTime

1 February 2001

Tos Mahoney: programming new music

Andrew Beck

1 February 2001

Enter the dragon: Asian film in Australian cinemas

Juanita Kwok

1 February 2001
Music with the stars

Music with the stars

RealTime

1 February 2001

A town like Cunnamulla

Kirsten Krauth

1 February 2001

IHOS: the alternating current

Sue Moss

1 February 2001
The genuine Coen product?

The genuine Coen product?

Simon Enticknap

1 February 2001
Sonic Residues: an education in sound

Sonic Residues: an education in sound

Jim Barbour

1 February 2001

Documentary conference on the edge

Kirsten Krauth

1 February 2001
Sound advice: art consumables

Sound advice: art consumables

Douglas Kahn

1 February 2001

Jeffrey Shaw: virtual Melbourne

Dean Kiley

1 February 2001
filmSHORTS

filmSHORTS

RealTime

1 February 2001

Artificial Life: a hard call

Liminal Product

1 February 2001
Cinesonic: true teen sound in Bring It On

Cinesonic: true teen sound in Bring It On

Philip Brophy

1 February 2001

New work matures in Open Space

Chris Reid

1 February 2001

Post-photographic Photofile

Mitchell Whitelaw

1 February 2001
Editorial – RT41

Editorial – RT41

Keith Gallasch

1 February 2001

Degrees of pathos: Sydney performance

Keith Gallasch

1 February 2001
digitalSHORTS

digitalSHORTS

RealTime

1 February 2001

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

RealTime, Open City Inc
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