Australian
and international
exploratory
performance and
media arts

Issue 32:

Works in progress: pt2 (M-P)

RealTime

1 August 1999
Digital media across the arts

Digital media across the arts

RealTime

1 August 1999
The distribution challenge

The distribution challenge

RealTime

1 August 1999
Online Australia

Online Australia

RealTime

1 August 1999
Australia’s expanding screen culture

Australia’s expanding screen culture

RealTime

1 August 1999

Delirium

1 August 1999

Works in progress: video & film

RealTime

1 August 1999

The real/digital festival

RealTime

1 August 1999

Works in progress: interactive Installations

RealTime

1 August 1999

Works in progress: sound & screen, public art

RealTime

1 August 1999

Works in progress: dance

RealTime

1 August 1999

Works in progress: performance

RealTime

1 August 1999
The big suture

The big suture

Keith Gallasch

1 August 1999

Works in progress: pt3 (R-Z)

RealTime

1 August 1999

Works in progress: pt1 (A-L)

RealTime

1 August 1999
WriteSites

WriteSites

Kirsten Krauth

1 August 1999

Chunky news

inhouse

1 August 1999
Erasing the line between film culture and new media

Erasing the line between film culture and new media

Janet Merewether

1 August 1999
The animal logic of the antz in the matrix

The animal logic of the antz in the matrix

Richard Smith

1 August 1999
Spacing the digital

Spacing the digital

Alex Hutchinson

1 August 1999
An other writing

An other writing

Teri Hoskin

1 August 1999
Media arts and online culture: enter or escape?

Media arts and online culture: enter or escape?

Jeffrey Cook

1 August 1999

Queerly constrained

Stephen Armstrong

1 August 1999

The rise of digital exhibition in the UK

Sophie Hansen

1 August 1999

A plenitude of Cinderellas

Eleanor Brickhill

1 August 1999

Pixelvisions

Steven Ball

1 August 1999

The fantastic adventures of Ling Change

Maryanne Lynch

1 August 1999

Challenging the seer

John Schwartz

1 August 1999

Millennial maverick

Ashley Crawford

1 August 1999

Digital rules!

Michael Hill

1 August 1999

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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