Australian
and international
exploratory
performance and
media arts

Issue 115:

Dances for a little black dress

Jodie McNeilly

The right to a rite of passage

Keith Gallasch

In the loop July 31: quick picks

RealTime

In the loop 31 July: opportunities

RealTime

In the loop July 24: opportunities

RealTime

Caring for the planet, one step at a time

Philipa Rothfield

No blood on the keys?

Keith Gallasch

Big dreams on a small island

Gail Priest

In the loop July 24: quick picks

RealTime

Otherworlds of empathy and irony

Astrid Francis

Screwball Shakespeare

Kirsten Krauth

Musical multiplicities

Matthew Lorenzon

In the loop July 17: opportunities

RealTime

In the loop July 17: quick picks

RealTime

In the loop July 10: opportunities

RealTime

In the loop July 10: quick picks

RealTime

Music denied a voice

Jon Rose

Cracking the technology case

Judith Abell

On the surface of memory and history

Matthew Clayfield

In the loop July 3: quick picks

RealTime

In the loop July 3: opportunities

RealTime

Country, self-discovery and belonging

In the loop 26 June: opportunities

RealTime

In the loop June 26: quick picks

RealTime

Circus: second class artform?

Antonella Casella

The magical attire of the ordinary

Maggi Phillips

The art of re-dancing

Meredith Morse

Post-ballet

Keith Gallasch

Canberra: legacy-making & future-thinking

Keith Gallasch

The Maids: the invention of theatre

Keith Gallasch

Parsifal as modern nightmare

Keith Gallasch

The potentials of futility

David Maney

Tessa Leong & Emma Beech

Anne Thompson

Singing up the tree of light

Keith Gallasch

Intimacies & vulnerabilities

Keith Gallasch

Canopy delights, underground hell

Kirsten Krauth

Tragedy not as true as melodrama

Jana Perkovic

Alien and other states of being

Keith Gallasch

A casual musical multiculturalism

Henry Andersen

Cultural resurgence on the Gold Coast

Kathryn Kelly

Broad spectrum new music

Matthew Lorenzon

RealTime 115: The body in question

RealTime

Art for water

Gail Priest

Can composers afford ethical distractions?

Can composers afford ethical distractions?

Matthew Lorenzon

When sculptures look back

Ilana Cohn

ISEA: Immersion + Assange

RealTime

Time travelling exorcism

Polly Dance

The title foregrounds space

Barbara Campbell

Tiny revolutions

Laetitia Wilson

The exhibition as a single entity

Chris Reid

Performing in 13 Rooms

RealTime

The artful scoring of animation

Katerina Sakkas

Bewitching disorientations

Virginia Baxter

Breaching the body

Julie Vulcan

Audiovision: Picturing musical creativity & emptying the self

Philip Brophy

Giveaways – rt115

RealTime

Gender, genitalia & the old hand-in-hand

Cat Jones

The rough road to Paradise

Kirsten Krauth

Do you want me to touch you?

Madeleine Hodge

Anatomy of a successful arts doco series

Dan Edwards

The theatre of rehearsing for life

Robert Reid

Ghosts of presences past

Rennie McDougall

Time-shifting landscapes

Greg Hooper

PuSh vérité

Alex Lazaridis Ferguson

Organic, machinic, artistic, touristic

Gail Priest

Jon Rose

Chris Reid

When no means no, maybe

Jake Wilson

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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