Australian
and international
exploratory
performance and
media arts

Issue 103:

in the loop – july 26

RealTime

Contributor profile: Chris Reid

Chris Reid

Contributor profile: Ella Mudie

Ella Mudie

existential allegories

Douglas Leonard

surveying your selves

Gail Priest

tough love, rough hate

Keith Gallasch

in the loop – july 12

RealTime

in the loop – june 28

RealTime

some other selves

Caroline Wake

breakdown of the break-up

Matthew Clayfield

exhibiting the future

Maggi Phillips

the heart: savage & pained

Bernadette Ashley

the power & magic of juxtaposition

Martin del Amo

brilliance, shimmer & shine

Keith Gallasch

meeting of minds and mountains

meeting of minds and mountains

Gail Priest

a room & the residue of movement

Keith Gallasch

from the ground up

Keith Gallasch

wanted: playwrights, dead or revived

John Bailey

the reverberations of disappearance

Charlotte Farrell

pain makes art

Varia Karipoff

a new recipe for reality

Matthew Clayfield

writing the voice

Gail Priest

controlled abandon

controlled abandon

Matthew Lorenzon

part 1: sydney scenes & sounds

Gail Priest

clock work

Greg Hooper

with an ear to the greater city

Danni Zuvela

licence to imagine

Felicity Clark

a winning year for innovators

Keith Gallasch

the future is now the past

Darren Jorgensen

signalling, not clowning

signalling, not clowning

Urszula Dawkins

the aesthetic of sensation

Christen Cornell

the artist as citizen

Ella Mudie

a life retrieved

Oliver Downes

editorial – rt103

RealTime

where there’s a will there’s a when

Mariam Arcilla

re-inventing the city

RealTime

supernow and the hyperlocal

Emily Sexton

singing to survive

Judith Abell

culture, community & inspiration

dancing city—traceries in stone

dancing city—traceries in stone

Maggi Phillips

a fistful of renminbi

Mike Walsh

china’s divided screen culture

Dan Edwards

you can’t build on an emptiness

Dan Edwards

rescuing dancefilm from the margins

Chirstinn Whyte

dance in focus

Sophie Travers

the horror: how australian?

Katerina Sakkas

incendiary performance: christoph schlingensief

Jana Perkovic

china: creative expression on notice

Dan Edwards

time, myth & timelessness

Keith Gallasch

synthetic engineering: dreams & doubts

Kirsty Darlaston

pixels ain’t square, man! seeing the digital light

Darren Tofts

film: the full body experience

RealTime

onscreen: in the loop

RealTime

music, machines, misinterpretations

Gail Priest

Contributor profile: Carl Nilsson-Polias

Carl Nilsson-Polias

Contributor profile: Matthew Lorenzon

Matthew Lorenzon

a garden experiment

Alana Hunt

transported: between memory & desire

Jonathan Bollen

Contributor profile: Urszula Dawkins

Urszula Dawkins

Contributor profile: Jana Perkovic

Jana Perkovic

suspending self, time & disbelief

Keith Gallasch

the poisoned pea

Virginia Baxter

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City was supported 1994-2018 by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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