Australian
and international
exploratory
performance and
media arts

Issue 103:

Contributor profile: Ella Mudie

Ella Mudie

Contributor profile: Chris Reid

Chris Reid

in the loop – july 26

RealTime

surveying your selves

Gail Priest

in the loop – july 12

RealTime

tough love, rough hate

Keith Gallasch

existential allegories

Douglas Leonard

breakdown of the break-up

Matthew Clayfield

some other selves

Caroline Wake

in the loop – june 28

RealTime

film: the full body experience

RealTime

from the ground up

Keith Gallasch

pixels ain’t square, man! seeing the digital light

Darren Tofts

wanted: playwrights, dead or revived

John Bailey

synthetic engineering: dreams & doubts

Kirsty Darlaston

the reverberations of disappearance

Charlotte Farrell

time, myth & timelessness

Keith Gallasch

pain makes art

Varia Karipoff

a new recipe for reality

Matthew Clayfield

where there’s a will there’s a when

Mariam Arcilla

china: creative expression on notice

Dan Edwards

writing the voice

Gail Priest

re-inventing the city

RealTime

incendiary performance: christoph schlingensief

Jana Perkovic

controlled abandon

controlled abandon

Matthew Lorenzon

supernow and the hyperlocal

Emily Sexton

rescuing dancefilm from the margins

Chirstinn Whyte

part 1: sydney scenes & sounds

Gail Priest

singing to survive

Judith Abell

dance in focus

Sophie Travers

clock work

Greg Hooper

culture, community & inspiration

dancing city—traceries in stone

dancing city—traceries in stone

Maggi Phillips

with an ear to the greater city

Danni Zuvela

a life retrieved

Oliver Downes

exhibiting the future

Maggi Phillips

licence to imagine

Felicity Clark

a fistful of renminbi

Mike Walsh

the heart: savage & pained

Bernadette Ashley

a winning year for innovators

Keith Gallasch

editorial – rt103

RealTime

china’s divided screen culture

Dan Edwards

the power & magic of juxtaposition

Martin del Amo

the future is now the past

Darren Jorgensen

you can’t build on an emptiness

Dan Edwards

brilliance, shimmer & shine

Keith Gallasch

signalling, not clowning

signalling, not clowning

Urszula Dawkins

the horror: how australian?

Katerina Sakkas

meeting of minds and mountains

meeting of minds and mountains

Gail Priest

the aesthetic of sensation

Christen Cornell

a room & the residue of movement

Keith Gallasch

the artist as citizen

Ella Mudie

onscreen: in the loop

RealTime

music, machines, misinterpretations

Gail Priest

a garden experiment

Alana Hunt

Contributor profile: Matthew Lorenzon

Matthew Lorenzon

Contributor profile: Carl Nilsson-Polias

Carl Nilsson-Polias

transported: between memory & desire

Jonathan Bollen

Contributor profile: Urszula Dawkins

Urszula Dawkins

Contributor profile: Jana Perkovic

Jana Perkovic

suspending self, time & disbelief

Keith Gallasch

the poisoned pea

Virginia Baxter

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

RealTime, Open City Inc
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