Contributor profile: Zsuzsanna (Zsuzsi) Soboslay

Zsuzsanna Soboslay photo Tim Moore Zsuzsanna Soboslay Bio I am a performer, writer and artist who has been engaged in creative collaborations across the arts for over 20 years....

Zsuzsanna Soboslay

6 November 2013

RealTime dances: the big picture

Erin Brannigan takes on the monumental task of surveying RealTime’s committed engagement with Australian contemporary dance from state to state, in theatres, galleries, onscreen, in digital interactions and Indigenous...

Erin Brannigan

17 July 2019

My RealTime years: art, writing & terror

At a time when “politics takes no notice” of art, Richard Murphet looks back with passion to the revelatory works he wrote about for RealTime, with a sense of...

5 December 2018

Editorial 14 November 2018

Once again Performance Space’s Liveworks Festival of Experimental Art has produced a program of small scale performances of often visceral intensity and formula-testing inventiveness, including works from Taiwan, Japan...

14 November 2018

Writers read RealTime

In this second instalment of Writers read RealTime we bring you four more of the actual voices of our contributors reading reviews of favourite works: Ben Brooker, Erin Brannigan,...

14 November 2018

Writing the art experience: Itching shaking crying being held – Part II: On vulnerability

In the second of her two accounts of the experience of writing about art Zsuzsanna Soboslay vividly recalls works intimate and spectacular that laid bare thoughts and feelings about...

Zsuzsanna Soboslay

14 November 2018

Liveworks: RealTime in real time

Unfolding over 5 hours on Sunday 21 October at the Liveworks Festival, RealTime in real time will be an open conversation charting the remarkable transformation of the art experience...

9 October 2018

Welcoming the challenge of the new

Jonathan W Marshall probes his reviewing since 1998, focusing on favourite works in theatre and dance (early on in Melbourne in particular), assaying the role of RealTime and reflecting...

Jonathan W Marshall

8 October 2018

Editorial 22 August 2018

RealTime will take performative shape on 21 October. Titled RealTime in real time and part of the just launched 2018 Performance Space Liveworks Festival of Experimental Art program, it's...

22 August 2018

Theatre of Soak: on drunkenness as performance

Novelist, essayist and leading creative writing teacher Bernard Cohen in his younger years wrote an occasional series on performance-in-the-everyday (shifting furniture, driving with aggro, etc) for RealTime in the...

Bernard Cohen

22 August 2018

Writing the art experience: Itching shaking crying being held – Part I: Of silence and silencing

In the first of two intensely felt, lyrical accounts of works she wrote about for RealTime for over two decades, Zsuzsanna Soboslay tracks her physical and emotional responses with...

Zsuzsanna Soboslay

22 August 2018

Visual Arts, RealTime 1994-2004: Part 2, Convergence & Resurgence

Katerina Sakkas finds that RealTime's writers "illuminate the complexities of cross-cultural exchange arising from new waves of contemporary Asian art; contextualise the millennial flourishing of photography, painting and video...

Katerina Sakkas

18 July 2018

Jon Rose, Chris Abrahams and Peggy, a new CD

Recorded towards the end of Jon Rose's 2017 residency at Peggy Glanville-Hicks' home, the CD is a vivid document of exploratory playing delivered with verve and passion. And we...

Keith Gallasch

8 June 2018

After Julia: gift for an ex-pm

Featuring commissioned works from seven Australian female composers, Decibel's warm, witty and politically incisive new music tribute to Julia Gillard plays at Brisbane's Metro Arts on 13 and 14...

Keith Gallasch

27 June 2017

All set adrift

Jane Goodall: Zsuzsi Soboslay, Anthems and Angels: The Compassion Plays

Jane Goodall

23 November 2016

Another route to being human

Zsuzsi Soboslay: George Khut, Behind Your Eyes, Between Your Ears

Zsuzsanna Soboslay

17 August 2016

A reckoning between generations

Zsuzsanna Soboslay: Raoul Craemer, Pigman’s Lament

Zsuzsanna Soboslay

20 July 2016

Art, empathy and risk

Zsuzsi Soboslay: Strange Attractor: Make-Think-Speak

Zsuzsanna Soboslay

1 June 2016

Embracing a new reality

Zsuzsanna Soboslay, Justus Neumann, Alzheimer Symphony

Zsuzsanna Soboslay

1 June 2016

Place, displacement & disposition

Zsuzsanna Soboslay: Siteworks 2015

Zsuzsanna Soboslay

9 December 2015

At one with water

Keith Gallasch: Igneous, FLUIDATA, installation & performance

Keith Gallasch

20 May 2015

The liberation and containment of sight

Zsuzsanna Soboslay, James Turrell: a retrospective

Zsuzsanna Soboslay

23 February 2015

The audible & the invisible

Zsuzsanna Soboslay: Decibel New Music Ensemble, After Julia

Zsuzsanna Soboslay

5 December 2014

Heaven & Hades, virtually

Zsuzsanna Soboslay: ANU School of Music, Monteverdi, L’Orfeo

Zsuzsanna Soboslay

13 October 2014

The music of archival track work

Zsuzsanna Soboslay: Jon Rose, Ghan Tracks

Zsuzsanna Soboslay

13 October 2014

War on the inside, on both sides

Zsuzsanna Soboslay: Honchos Meeting in Cowra

Zsuzsanna Soboslay

13 October 2014

Dark tales cast light in dark times

Zsuzsanna Soboslay: Vanessa Bates, The Magic Hour

Zsuzsanna Soboslay

18 August 2014

Speak Percussion

Mickrophonie I, Transducer, Speak Percussion, THNMF2013 photo Brad Serls Mickrophonie I, Transducer, Speak Percussion, THNMF2013 Audiences for New Music cannot be taken for granted in Australia; you have to...

Matthew Lorenzon

2 July 2014

Two worlds of percussion

Felicity Clark: Synergy Percussion, Xenakis v Pateras

9 June 2014

Opera: individual passion, collective tragedy

Zsuzsanna Soboslay: Sandra France, Helen Nourse, From a Black Sky

Zsuzsanna Soboslay

6 November 2013

Sharing country

Zsuzsanna Soboslay: QL2’s Quantum Leap, Hit the Floor Together

Zsuzsanna Soboslay

28 August 2013

Lives surviving disarray

Zsuzsanna Soboslay: Urban Theatre Projects, Catalogue of Dreams

Zsuzsanna Soboslay

28 August 2013

asleep but awake and dancing

zsuzsanna sobolsay: ql2 dance theatre, noplace

Zsuzsanna Soboslay

21 August 2012

clocked out – archive highlight

Vanessa Tomlinson, Erik Griswold, Clocked Out Duo photo Russell Milledge Vanessa Tomlinson, Erik Griswold, Clocked Out Duo New music group Clocked Out—percussionist Vanessa Tomlinson and pianist Erik Griswold—has been...

Gail Priest

20 March 2012

critical acts of forgiveness

zsuzsanna soboslay: little dove theatre, cordelia—tell me how you love me

Zsuzsanna Soboslay

21 February 2012

psychic geology in theatre & dance

zsuzsanna soboslay: septimus & clarissa; dancer crush, new york

Zsuzsanna Soboslay

21 February 2012

art & disability: new geographies of the body

Sonia Teuben, Simon Laherty, Small Metal Objects photo Jeff Busby Sonia Teuben, Simon Laherty, Small Metal Objects [This introduction was written in November 2011. New links will continue to...

Anna Hickey-Moody

10 May 2011

percussive acts of necessity

zsuzsanna soboslay: australian percussion gathering, 2010

Zsuzsanna Soboslay

12 October 2010

harmony between man, earth, heaven

zsuzsanna soboslay: canberra international festival of chamber music

Zsuzsanna Soboslay

26 July 2010

the bitter landscape of the soul

zsuzsanna soboslay: gerard brophy, song company, gesthemane

Zsuzsanna Soboslay

10 May 2010

digital demands & pleasures

zsuzsanna soboslay: beginning middle end, anu

Zsuzsanna Soboslay

10 December 2009

many abled bodies

zsuzsanna soboslay: ql2, select options, canberra

Zsuzsanna Soboslay

8 October 2009

art moves

zsuzsanna soboslay: quantum leap’s exhibitionism

Zsuzsanna Soboslay

1 December 2008

questions of intimacy

zsuzsanna soboslay: sounds alive ‘08, canberra

Zsuzsanna Soboslay

1 August 2008

a city remembered in trees

zsuzsanna soboslay sees elizabeth paterson’s growing home

Zsuzsanna Soboslay

1 June 2008

percussion: power and puzzle

zsuzsanna soboslay sees synergy and repercussions

Zsuzsanna Soboslay

1 June 2008

the touch of nations (the companies we keep)

zsuzsanna soboslay at canberra’s multicultural festival

1 April 2007

performance alchemies

zsuzsanna soboslay on the realities of igneous’ mirage

Zsuzsanna Soboslay

1 February 2007

Two for one

Zsuzsanna Soboslay sees David Corbet & Jacob Lehrer

Zsuzsanna Soboslay

1 August 2006

Sculpted: conscience and consciousness

Zsuzsanna Soboslay on the National Sculpture Prize

Zsuzsanna Soboslay

1 December 2005

On moving and being moved

Zsuzsanna Soboslay sees Bill Viola

Zsuzsanna Soboslay

1 October 2005

Curiouser and curiouser

Zsuzsanna Soboslay

1 August 2004

Between violence and the inviolable

Zsuzsanna Soboslay: Wendy Morrow, Blue (excerpt)

Zsuzsanna Soboslay

1 August 2004

Percussion passion

Zsuzsanna Soboslay

1 February 2004

Recording ecstasy

Zsuzsanna Soboslay

1 December 2003

Unsettling realities

Zsuzsanna Soboslay: Clare Dyson, Constructed Realities

Zsuzsanna Soboslay

1 February 2003

From impulse to form and community

Christina Shepard: Cracking It Open

Christina Shepard

1 December 2002

Night moves

Zsuzsanna Soboslay: Wendy Morrow, Sleep

Zsuzsanna Soboslay

1 December 2002

Struggles at the dance-technology interface

Zsuzsanna Soboslay: Sarah Neville, Ada

Zsuzsanna Soboslay

1 December 2002

Improvisation & the thickening of time

Zsuzsanna Soboslay: Australian Choreographic Centre, Precipice

Zsuzsanna Soboslay

1 October 2002

Sculptural fantasias

Zsuzsanna Soboslay

1 April 2002

Fine monkey magic

Zsuzsanna Soboslay

1 February 2002

Women's music: different architectures

Zsuzsanna Soboslay: National Festival of Women’s Music

Zsuzsanna Soboslay

1 October 2001

The quiet archaeology of Neil Roberts

Zsuszanna Soboslay: The Collected Works of Neil Roberts

Zsuzsanna Soboslay

1 August 2001

Splintering the soul of Dolores

Zsuzsanna Soboslay: Richard Murphet, Dolores in the Department Store

Zsuzsanna Soboslay

1 June 2001

Trouble with destinations

Zsuzsanna Soboslay

1 June 2000

Stored roots, stacked histories

Zsuzsanna Soboslay travels from Monk in New York to Dumas in Melbourne

Zsuzsanna Soboslay

1 April 1999

Shakespeare’s pillowslips

Philipa Rothfield, Zsuzsanna Soboslay Moore

Philipa Rothfield & Zsuszanna Soboslay Moore

1 December 1998

The limits of limits

Philipa Rothfield, Streb, Trompe l’Oeil, Nederlands Dans Theater III, Romeo et Juliette, Ballet Preljocaj, Fleshmeet, Chunky Move, Trial by Video, Company in Space

Philipa Rothfield

1 December 1998

Full throated ease

Zsuzsanna Soboslay Moore, Ballet Preljocaj, Romeo et Juliette, A Matter of Breath & Into The Volcano, Elision Ensemble

Zsuzsanna Soboslay

1 December 1998

Another mapping

Zsuzsanna Soboslay feels the textures of Thresholds

Zsuzsanna Soboslay

1 October 1998

A question of visions

Zsuzsanna Soboslay, Mixed Metaphor Week One

Zsuzsanna Soboslay

1 October 1998

Tests of the time

Zsuzsanna Soboslay, Mixed Metaphor Week Two

Zsuzsanna Soboslay

1 October 1998

All swans together

Virginia Baxter, DW98 and post-show forum

Virginia Baxter

1 October 1998

Filling in the body map

Zsuzsanna Soboslay

1 October 1998

MAP intro

A RealTime feature report on the MAP dance season and symposium in Melbourne

Keith Gallasch

1 October 1998

Physical diffusions

Zsuzsanna Soboslay Moore reviews Twelve Seas and talks to choreographer Gary Rowe

Zsuzsanna Soboslay

1 April 1998

Praise the lord

Zsuzsanna Soboslay surveys recent dance events and dialogues in Melbourne: Kennett, Parker, Lasica, Hilton, Guerin, Adams, Crisp et al

Zsuzsanna Soboslay

1 February 1998

Not about disability

Zsuzsanna Soboslay sees Britain’s CandoCo dance company

Zsuzsanna Soboslay

1 December 1997

Beautiful violence

At LIFT (London International Festival of Theatre) in 1997 as part of a joint RealTime-British reviewing team, Zsuzsanna Soboslay incisively conveys her experience of Christophe Berthonneau and Group F’s,...

14 November 1997

In the body of the work

Zsuzsanna Soboslay and Tim Moore in rehearsal for the premiere of the movement opera Awakenings talk to Keith Gallasch

Keith Gallasch

1 August 1997

Huge beauty

Zsuzsanna Soboslay wonders at Nederlands Dans Theater at the Melbourne Festival

Suzanne Spunner

1 December 1996

The space between

Zsuzsanna Soboslay reflects on Adelaide Festival dance and performance

Zsuzsanna Soboslay

1 April 1996

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