Australian
and international
exploratory
performance and
media arts

Film:

Deep Archive: Angry at Australia

Keith Gallasch

Giveaway: Raoul Peck, I Am Not Your Negro DVD

12 December 2017

Chauka, Please Tell Us the Time: Detention from the inside

5 December 2017

Muriel’s Wedding, The Musical: Excess, good and bad

Keith Gallasch

28 November 2017

GIVEAWAY: These Heathen Dreams, journal of a cultural Bolshevik, Christopher Barnett, DVD

28 November 2017

Greg McLean’s Jungle, a sensory journey

Katerina Sakkas

21 November 2017

Audiovision 28: Post-politics & totalitarian tonality

Philip Brophy

8 November 2017

Giveaway: Una DVD

7 November 2017

The Deep Archive: Being Gena Rowlands

Lesley Stern

7 November 2017

The Silent Eye: Astral vision

Luke Goodsell

10 October 2017

Alvin’s Harmonious World of Opposites: Interior revelations

Keva York

26 September 2017

Samaya Wives: One-minute dance award winner

Keith Gallasch

26 September 2017

Five luminous new Australian filmmakers

Lauren Carroll Harris

19 September 2017

Namatjira Project: Righting a wrong

Dan Edwards

13 September 2017

Prevenge: Revenge of the disenfranchised

Katerina Sakkas

13 September 2017

Told through body and land: God’s Own Country

Joanna Di Mattia

6 September 2017

Killing Ground: Horror’s limits

Katerina Sakkas

6 September 2017

Zach’s Ceremony: complex manhood

Tyson Yunkaporta

6 September 2017

GIVEAWAY: Zach’s Ceremony DVD

6 September 2017

Dawson City: Frozen Time: Twice born of fire

Lauren Carroll Harris

Woman with an Editing Bench: How do film editors think?

Lauren Carroll Harris

VR at MIFF: A World Apart

Dan Edwards

Top of the Lake: China Girl: Beauty concealing violence

Eloise Ross

AFTRS: Postgrad research as practice

Keith Gallasch

Mountain in concert

Steve Dow

The Deep Archive: John O’Neill interviews Philip Brophy, 1994

John O’Neill

Palace of Memories: The forgotten resurrected

Tyson Yunkaporta

A Flickering Truth: Cinematic spirit

Lauren Carroll Harris

GIVEAWAY: A Flickering Truth DVD

Vince Gilligan & cable TV, the new arthouse

Redefining the Retrospective: Pioneering Women

Cameron Williams

Canyon Cinema: radicalising representation in women’s filmmaking

Kate Robertson

GIVEAWAY: The Babadook DVD

Jennifer Kent, The Babadook interview

Katerina Sakkas

We Don’t Need a Map: The sentience of stars

Tyson Yunkaporta and Lauren Carroll Harris

Plastic China: Recycling’s downside

Dan Edwards

The Deep Archive: Annemarie Jonson, Bad Boy Bubby’s sound design

Annemarie Jonson

From archive into the future

Lauren Carroll Harris

The Last Goldfish: putting the pieces back together

Virginia Baxter

Sydney Film Festival’s engaging outliers

Katerina Sakkas

Not so fictional Cleverman

Tyson Yunkaporta

Night Parrot Stories: myth vs reality

Luke Goodsell

Emily Dickinson: her soul is her own

Joanna Di Mattia

The Deep Archive: Mikhali Georgeos on Adrian Martin’s Phantasms

Drama: outside the box

Kirsten Stevens

GIVEAWAY: David Lynch: The Art Life DVD

Australian-made in Paris

Eloise Ross

Revelation Film Festival: the joy of bafflement

Lauren Carroll Harris

Triple J & arts criticism in crisis

Cameron Williams

Gaylene Preston

Stranger With My Face’s dark pleasures

Katerina Sakkas

Stranger With My Face: Discovering Gaylene Preston

Lauren Carroll Harris

Unravelling McFamily-sized myths

Luke Goodsell

Ambulante film festival, Mexico City: Travelling doco fest vs corruption

Ann Deslandes

Plotting a cinémathèque

Tina Kaufman

American essentials: small is good

Luke Goodsell

The sweet smell of jalebi

Kirsten Krauth

1 February 2017

Ivan Sen’s Goldstone: Dust, myth & a new hero

Katerina Sakkas

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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