Australian
and international
exploratory
performance and
media arts

Art Politics:

Liveworks: Return to Escape from Woomera                  

8 September 2018

Writing the art experience: Itching shaking crying being held – Part I: Of silence and silencing

Zsuzsanna Soboslay

22 August 2018

NSW arts-funding: disgrace & disrespect    

Keith Gallasch

1 August 2018

MY MY MY: Amala Groom’s Have you seen MY Emily?

Keith Gallasch

12 December 2017

Interchange Festival: The Start and the End of the Body

Nikki Heywood

6 December 2017

Interchange Festival: The Political Body

Cleo Mees

6 December 2017

Chauka, Please Tell Us the Time: Detention from the inside

5 December 2017

Speechless: Giving voice to refugees

Chris Reid

23 August 2017

Ambulante film festival, Mexico City: Travelling doco fest vs corruption

Ann Deslandes

10 May 2017

Travelling doco fest fights corruption

Ann Deslandes

10 May 2017

Sydney College of Art fights back

Liz Bradshaw

14 September 2016

Reverse the trend; champion creative education

Liz Bradshaw

14 September 2016

On the record: Australian artists in free-fall

Jana Perkovic

24 August 2016

Occupying culture in Rio de Janeiro

Ann Deslandes

3 August 2016

Fighting for the arts & the public good

Keith Gallasch

1 June 2016

Editorial June 8

1 June 2016

Arts workers analyse the market

Victoria Carless

16 March 2016

Art versus the war against Nature

Sumugan Sivanesan

27 January 2016

Carry On Culture Wars

Keith Gallasch

27 January 2016

Obituary

Teiji Furuhashi, member of Dumb Type, musician, performer, drag artist, activist

1 February 1996

Between a rock and a hard place

Sarah Miller

1 February 1996

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

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