Australian
and international
exploratory
performance and
media arts

Artforms:

Editorial 28 June 2017

City of Ladies: uneasy utopias

Sarinah Masukor

From archive into the future

Lauren Carroll Harris

The Last Goldfish: putting the pieces back together

Virginia Baxter

Sydney Film Festival’s engaging outliers

Katerina Sakkas

Not so fictional Cleverman

Tyson Yunkaporta

Interview: Mark Howett, Good Little Soldier

Keith Gallasch

The Second Woman: the female star as agent

Briony Kidd

Wireless: fear of phones

Kathryn Kelly

Intellectuality, the sociable scent

Briony Kidd

The people remember, the city listens

Ann Deslandes

Inside the real/digital warp

Laetitia Wilson

After Julia: gift for an ex-pm

Keith Gallasch

Editorial 21 June 2017

An anxious Australia

Lauren Carroll Harris

Black Honey Company: bear lives that matter

Teik-Kim Pok

Night Parrot Stories: myth vs reality

Luke Goodsell

Action Hero: on a mission

John Bailey

Emily Dickinson: her soul is her own

Joanna Di Mattia

The Deep Archive: Mikhali Georgeos on Adrian Martin’s Phantasms

Drama: outside the box

Kirsten Stevens

Fraught blueprint for survival

Nerida Dickinson

Radio Gothic’s sonic mystery

Steve Dow

GIVEAWAY: David Lynch: The Art Life DVD

Creek learning

Chris Reid

Editorial 14 June 2017

Amiable subversion: Black is the New White

Keith Gallasch

Australian-made in Paris

Eloise Ross

Seven Stories: archetypal imaginings

Keith Gallasch

The Ham Funeral: Mrs Lusty’s tragedy

Keith Gallasch

Rik Rue, sound collagist

Jon Rose & contributors

Revelation Film Festival: the joy of bafflement

Lauren Carroll Harris

Performance nurturers 2: Vitalstatistix

The Mill: the book

Robert Reid

Editorial 7 June 2017

Kunstenfestivaldesarts: mirror trap

Mish Grigor

Christian Thompson’s performative self-portraiture

Andrew Fuhrmann

Polyphonic Social: sacred & other resonances

Elyssia Bugg

Danger Magic: dark soundings

Keith Gallasch

Triple J & arts criticism in crisis

Cameron Williams

Anthropo[s]cenic Antarctica

Gail Priest

Is birdsong music? Ask the butcherbird

Chris Reid

Phone re-think: Lisa Wilson, Paul Charlier

Keith Gallasch

GIVEAWAY: Hollis Taylor, Absolute Bird, double CD

Sorry theatre: Conversations With The Dead

Jonathan W Marshall

Zach’s Ceremony: complex manhood

Tyson Yunkaporta

The Deep Archive: Wesley Enoch on Contemporary Indigenous Arts Practice

Wesley Enoch

Divercity makes community

Elyssia Bugg

Emily Johnson, SHORE in NARRM: A line to cross

Andrew Fuhrmann

Audiovision 26: Trauma & silence

Philip Brophy

Performance Nurturers 1: inSPACE

Ben Brooker

RealTime on Instagram

A world in seven stories

Keith Gallasch

Long paddock revelations

Emily Stewart

Stranger With My Face’s dark pleasures

Katerina Sakkas

Stranger With My Face: Discovering Gaylene Preston

Lauren Carroll Harris

Angelica Mesiti recodes video art

Lauren Carroll Harris

Nola Farman, artist at play

Keri Glastonbury

Jack Ferver & persona

Andrew Fuhrmann

Resonant Bodies Festival: voices matter

Zoe Barker

Teamlab: natural digital

Keith Gallasch

Lili Almog lifts the veil

Keith Gallasch

A nurturing Dancenorth

Bernadette Ashley

Jude Walton’s subtle excavation

Philipa Rothfield

MCME’s beautiful fragments

Jonathan W Marshall

Globalisation: upside/downside

Kathryn Kelly

Applespiel, in the beginning…

Kathryn Kelly

Unravelling McFamily-sized myths

Luke Goodsell

Ambulante film festival, Mexico City: Travelling doco fest vs corruption

Ann Deslandes

Project O & impossible places

Osunwunmi

More than Treats

Keith Gallasch

Plotting a cinémathèque

Tina Kaufman

Mr Burns: The Simpsons save us

Ben Brooker

Never tilt your chair back on two legs

Laura Halligan

American essentials: small is good

Luke Goodsell

Yirra Yaakin, So Long Suckers: Laughter & pain in a post-colonial limbo

Jonathan Marshall

1 February 2017

ARTLANDS Conference and Festival: re-imagining ‘regional’

Liz Bradshaw

14 December 2016

Sydney Festival: A great sense of occasion

Keith Gallasch

7 December 2016

Interview, Speak Percussion: The music of shells, bells and fluoros

Matthew Lorenzon

21 November 2016

Gosia Wlodarczak, A Room Without A View (Extended): Calm in chaos

Francis Russell

8 November 2016

The Record, OzAsia Festival: A living document of diversity

Ben Brooker

21 October 2016

OzAsia Festival visual arts: A common spirituality

Chris Reid

13 October 2016

Melbourne Fringe: The beauty of bafflement

Andrew Fuhrmann

11 October 2016

Sydney College of Art fights back

Liz Bradshaw

14 September 2016

MoveMe Festival 2016: The call to dance

Jonathan Marshall

Lauren Simonds, Unseen: A glorious revelation

Elyssia Bugg

Decibel: Intermodulations

Alex Turley

Eugenie Lee, Seeing is Believing: Virtual pain, harsh reality

Keith Gallasch

Kathryn Kelly: Damage makes art

Emma Serjeant, Grace

Keith Gallasch: OzAsia, the necessary festival

Interview: Joseph Mitchell

Ivan Sen’s Goldstone: Dust, myth & a new hero

Katerina Sakkas

Kawita Vatanajyankur, Work: I love hard work; I could watch it all day

Virginia Baxter

Antarctic Fellowship: Sounds from the home of The Blizzard

Philip Samartzis

5 February 2016

realtime

RealTime is published by Open City, an Incorporated Association in New South Wales.Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Open City is supported by the Australian Government through the Australia Council, its arts funding body, and by the Visual Arts and Craft Strategy (VACS), an initiative of the Australian, State and Territory Governments.

Australia Council for the Arts

Opinions published in RealTime are not necessarily those of the Editorial Team or the Publisher.

RealTime, Open City Inc
PO Box A2246
Sydney South 1235 Australia
Telephone 61 2 9283 2723

[email protected]
www.realtime.org.au

All rights reserved. RealTime™ is a Registered Trademark.

VACS

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